Quantcast
Channel: Boot Hill
Viewing all 2465 articles
Browse latest View live

RIP Bill Brademan

$
0
0

RIP Bill Brademan

Los Angeles Times
March 24, 2018

February 9, 1931 - March 21, 2018 Former President of Walt Disney Television Bill Brademan died March 21. The Emmy-winning producer was 87. Brademan was born in Minneapolis, MN, to Eileen and Harold, a police detective. He served as an aerial gunner during the Korean War, flying 23 combat missions before being honorably discharged. He broke into the movie business when he landed a job in the mail room at Columbia Pictures while on vacation in Los Angeles. Brademan went on to serve as a casting director for Columbia and NBC before becoming Vice President of Talent at Universal. He cast over 50 motion pictures. At both ABC and 20th Century Fox TV, Brademan served as Vice President of Development, as well as a Vice President at MCA and Executive Vice President of Creative Affairs at QM Productions; he supervised production on over 75 network series, TV movies, and mini-series. After serving as president of Disney Television in the 1980s, Brademan formed a production company, Brademan/Self Productions, which produced TV movies such as Broken Vows starring Tommy Lee Jones and The Incident starring Walter Matthau, for which he won an Emmy in 1990 for Best Comedy/Drama Special. Among his other producing credits are the TV movies September Gun with Robert Preston and Patty Duke and Help Wanted: Male, a 1982 Suzanne Pleshette starrer that was the highest rated Saturday Movie of the Week in CBS' history at the time. He was a member of the Writers Guild, The Academy of Television Arts and Sciences, and Mensa. Brademan was married to his wife of 49 years, Carlotta (Smith), until her death in 2014. His eldest daughter, Sabrina, died in 2000 of complications of Type I diabetes. He is survived by his daughter, Hillary Del Regno and son-in-law Hugh Del Regno; his brother and sister-in-law, Wayne and Carla Brademan (MN) and their three daughters, son, and various grandchildren.


BRADEMAN, Bill (William A. Brademan)
Born: 2/9/1931, Minneapolis, Minnesota, U.S.A.
Died: 3/21/2018, Los Angeles, California, U.S.A.

Bill Brademan’s western – producer:
September Gun (TV) – 1983

RIP David Cobham

$
0
0

Tarka the Otter director dies at aged 87

BBC
March 26, 2018

Tributes have been paid to conservation film pioneer and director of Tarka the Otter and Woof! who has died aged 87.

David Cobham, who was married to actress Liza Goddard, died on Sunday following a stroke some weeks ago, his family confirmed.

TV presenter and naturalist Chris Packham paid tribute to a "fabulous mentor and conservationist".
Cobham, who lived near Dereham, Norfolk, was a founding member of the Hawk and Owl Trust.
In 1972 the producer, director and author made Vanishing Hedgerows, said to be the BBC's first conservation film.

Packham said his mentor was "a great enthusiast with an insatiable passion for birds of prey".
He added: "David leaves a legacy of great books and films and inspiration."

The Norfolk-based Hawk and Owl Trust expressed its "deep sadness" at his death on Twitter and added that he "will be greatly missed".

Cobham was the brains behind many television nature films dating back to the 1970s and was a pioneering producer for wildlife presenter David Attenborough.

For many years he ran Sculthorpe Fen, near Fakenham, which is home to the Hawk and Owl Trust.
For his documentary The Secret Life of the Barn Owl he pioneered filming methods that are now taken for granted to show birds at night.


COBHAM, David
Born: 5/11/1930 North Yorkshire, England, U.K.
Died: 3/25/2018, Dereham, Norfolk , England,U.K.

David Cobham’s westerns – producer, director, writer.
To Build a Fire – 1969 [director, screenwriter]
The Mad Trapper (TV) – 1972 [producer, director]

RIP Delores Taylor

$
0
0

Delores Taylor, Star of ‘Billy Jack’ Movies of the 1970s, Dies at 85

Taylor and husband Tom Laughlin starred in five indies featuring a half-Indian/half-white ex-Green Beret

The Wrap
By Thom Geier
March 26, 2018

Delores Taylor, a Golden Globe-nominated actress who starred with her husband Tom Laughlin in five indie movies featuring counterculture hero Billy Jack, died Friday. She was 85.

News of Taylor’s death was posted by her daughter on a “Billy Jack” Facebook fan page.

A native of South Dakota, Taylor met Laughlin in college and married him in 1954. Together, the two developed the character of Billy Jack, a martial arts expert who was half-Navajo, half-white Green Beret Vietnam veteran and defended youthful members of the counterculture from authorities who just didn’t understand.

Laughlin directed and starred in five films featuring the character, beginning with 1967’s “The Born Losers” and helped to revolutionize indie cinema by self-distributing his films. He died in 2013 at age 82.

Taylor, who had only a small role in the original film, assumed a co-starring position in the 1971 sequel, “Billy Jack,” for which she earned a Golden Globe nomination as New Star of the Year – Actress.

She reprised her role in the three sequels, 1974’s “The Trial of Billy Jack,” 1977’s “Billy Jack Goes to Washington” and 1986’s “The Return of Billy Jack.”


TAYLOR, Delores
Born: 9/27/1932, Winner, South Dakota, U.S.A.
Died: 3/23/2018,Clear Springs, Alabama, U.S.A.

Delores Taylor’s westerns – producer, writer, actress:
Billy Jack – 1971 (Jean Roberts)
The Master Gunfighter – 1975 [executive producer, screenwriter]

RIP Janet Cunningham

$
0
0

RIP Janet Cunningham

The Times-Picayune
March 28, 2018

March 9, 1945 - March 17, 2018 "I'm glad my trip to this life was long and amazingly free. I did everything fearlessly." Our beloved Janet lost her battle with cancer in Silver Lake surrounded by loved ones. Born in Binghamton, New York to Hannah Jacobs and Joseph Hughes, the family soon moved to the New Orleans suburb of Metairie, Louisiana. Janet loved all things New Orleans—the people, food, music, and rich culture. She participated in and documented Mardi Gras celebrations, jazz funerals, and the Mardi Gras Indians. She marched with the Society of St. Anne, known for their elaborate costumes. As a young adult, Janet moved to New York City, joining the anti Viet Nam war movement as well as Andy Warhol's Factory. In 1978, Janet relocated to Los Angeles with her son Beau and opened the iconic C.A.S.H. (Contemporary Artists Space of Hollywood) club and gallery in 1981, serving her famous red beans and rice for $5 and showcasing punk music and art. She parlayed her support of the punk underground and became a casting director, employing many of the artists and musicians who frequented C.A.S.H. Her generous spirit gave them shelter, a job and a meal. Scores of artists and musicians credit Janet with help in their early careers. Her credits include a long list of feature films (Body Double and Ghostbusters) as well as several TV series (The Wonder Years, Hill Street Blues) and numerous music videos for Steve Perry, Chicago, and "Weird Al" Yankovic among others. In recent years she returned to her first profession as a landscape designer, using native plants whenever possible. She was also a community leader, serving on the Silver Lake Neighborhood Council. Janet was Facebook before Facebook connecting people from her wide network of friends. Her parties were legendary and always open to everyone who could count on her trademark finger sandwiches and deviled eggs. All will miss her. Laissez les bon temps rouler! Janet is survived by her mother, Hannah Cunningham, her siblings Kay Gillum, Mary Beth Nogues, Fred Cunningham, Karay Klein and Debbie Rubiano. Her son, Beauregard Baker predeceased her in 1986. Memorial services will be held at The Red Lion Tavern in Silver Lake, 3:00pm, March 31. In lieu of flowers, please donate to New Orleans Musicians' Clinic and Assistance Foundation


CUNNINGHAM, Janet
Born: 3/9/1945, Binghamton, New York, U.S.A.
Died: 3/17/2018, Silver Lake, Louisiana, U.S.A.

Janet Cunningham’s western – casting director:
Purgatory (TV) - 1999

RIP Stéphane Audran

$
0
0

Stéphane Audran, Star of 'Babette's Feast,' Dies at 85

The Hollywood Reporter
By Etan Vlessing
March 28, 2018

The French actress had a long creative collaboration with auteur Claude Chabrol, with whom she made 25 films.

Stephane Audran, an icon of French New Wave cinema who starred in movies by auteurs Eric Rohmer, Luis Bunuel and Claude Chabrol, has died. She was 85.

Her son, actor Thomas Chabrol, told the AFP news agency that Audran, who was the second wife of Claude Chabrol for 16 years until 1980, died early Tuesday following a long illness. "She [Audran] had been in hospital for 10 days and she had returned home. She died peacefully at around 2 a.m.," he said.

Audran's more memorable film roles include Chabrol's 1970 film Le Boucher, Bunuel's The Discreet Charm of the Bourgeoisie (1972) and Gabriel Axel's 1987 art house hit Babette's Feast, in which she had the starring role of Babette Hersant.

Born Colette Dacheville on Nov. 2, 1932, Audran went on to become a mainstay of European cinema in the late 1960s and '70s after getting her start in French theater. In all, she made 25 films with the prolific Chabrol, many classics about murderous intrigue that starred Audran as an adulterous or betrayed wife called Helene, including Les Biches and La Rupture.

"My rapport with Stephane as an actress is more agreeable now than when we were married," Chabrol said after his divorce from Audran. "When you spend your days and nights with your wife and then you look through the camera and see her again, it's just too much."

Her TV roles including a star turn as Lord Marchmain's mistress Cara in the period drama Brideshead Revisited. Audran won a BAFTA in 1974 for her role in The Discreet Charm of the Bourgeoisie after receiving BAFTA nominations for roles in Le Boucher and Babette's Feast.

Audran also received three Cesar Award nominations in France and picked up a best supporting actress Cesar for her role in the 1978 film Violette Noziere. She also was named best actress in 1989 by the London Critics Circle Film Awards for her leading role in Babette's Feast.


AUDRAN, Stéphane(Colette Suzanne Jeannine Dacheville)
Born: 11/2/1932, Versailles, Seine-et-Oise, France
Died: 3/27/2018, France

Stéphane Audran’s western – actress:
Eagle’s Wing – 1979 (The Widow)

RIP Oleg Anofriev

$
0
0

The film actor Oleg Anofriev has died

Hybrid Tech Car
By Sohail
March 28, 2018

His voice was spoken for cartoon characters “Bremen Town Musicians” and “How the Little Leaf and the Turtle Sang a Song”.

Soviet actor of cinema and voice actor Oleg Anofriev has died at the age of 87 years. Information about the death of the honored artist of the RSFSR and the People’s Artist of Russia was confirmed by his son-in-law Sergei Solodinin and friend Alexander Oleshko.

During his career, Anofriev appeared in more than 50 films. The most famous of them were “Scarlet Sails”, “Midshipmen, Forward!” And “Man from the Boulevard des Capucines.”

He was most famous for lending his voice to cartoons. His voice was spoken by the characters of the “Bremen Musicians”, “Tales of the Priest and His Worker Balda” and “How the Lion and the Tortoise Sang a Song”, as well as King Louis in the Russian dubbing of the Disney’s “The Jungle Book.”

Anofriev also sang one of the most famous Soviet children’s songs and the title theme “Good Night, Kids” – “Sleeping Tired Toys.”


ANOFRIEV, Oleg (Oleg Andreevich Anofriev)
Born: 7/20/1930, Gelendzhik, North Caucasus Krai, R.S.F.S.R., U.S.S.R.
Died: 3/28/2018, Moscow, Russia

Oleg Anofriev’s western – actor:
A Man from Boulevard des Capucines – 1987 (pianist)

RIP Fred Crippen

$
0
0

‘Roger Ramjet’ Creator, Educator Fred Crippen Dies at 90

Founder of Pantomime Studios produced and directed hundreds of animated films for his clients.

Animation World Network
By Tom McLean
March 28, 2018

Animator Fred Crippen, best known for producing the 1960s syndicated comedy series Roger Ramjet, died March 22, according to a post on ASIFA-Hollywood’s Animation Educators Forum on Facebook. He was 90.

Fred Crippen

Crippen’s early animation experience was with the Shamus Culhane Studio in New York City, then with UPA Pictures, first in New York and then in Los Angeles. He worked on Mr. Magoo, Gerald McBoing Boing, directed animation and designed for UPA.

He formed in 1958 his own animation production studio, Pantomime Pictures, whose clients have included Sesame Street, Children's Television Network, Saul Bass and National Geographic Television.

Crippen originated the Roger Ramjet cartoon series, which became a classic due to its humor and pop culture savviness. The series was re-run on Cartoon Network in the 1990s and most of its 156 episodes have been released on DVD.

Additionally, Crippen produced and directed hundreds of animated films for children, television commercials, and corporate motivational films. He has also worked with Hanna-Barbera, Fred Wolf Films, Sony, DIC, Saban and Disney.

Crippen has taught animation and storyboarding for many years at schools including CalArts, Glendale Community College, Mount San Antonio College and the Art Institute of Orange County.


CRIPPEN, Fred
Born: 9/9/1928, Michigan, U.S.A.
Died: 3/22/2018, Los Angeles, California, U.S.A

Fred Crippen’s western - animation director:
Tom Sawyer - 2000

RIP Colin Campbell

$
0
0

Colin Campbell funeral: Stonebridge actor famed for Leather Boys role sent off by a fleet of Ace Cafe bikers

Brent & Kilburn Times
By Nathalie Raffray
March 22, 2018

Colin Campbell, whose best known role was the lead in The Leather Boys, was led to Kensal Green cemetery by fans from bikers’ hangout Ace Café in Stonebridge yesterday afternoon.

Family and friends, including his eldest grandchild, singer Shola Ama, came to pay their respects to the 81-year-old great-grandfather, who died on March 1.

Daughter Denise Campbell told the Times: “It was fantastic. The Ace riders were so lovely, so sweet, genuine fans of my dad. They kept saying: ‘Thank you for having us,’ but no, I told them: ‘Thank you for coming.’”

The youngest of four, Mr Campbell was born in Twickenham, starring in his first big theatre show aged 11.

He was called to service with the Royal Signals in Colchester from 1955 to 1957 where he became a keen boxer.

On his return, he and his wife Greta had a daughter, Denise, followed by two sons.

Among his many television appearances, Mr. Campbell starred in A Family at War, Rough Justice, Nuns on the Run and comedy You’re the Worst just last year.

But his image also made its way into a generation of 1980s record collections: a still from his Leather Boys performance was used on the cover of The Smiths’ singles Ask (albeit in Germany) and William, It Was Really Nothing (albeit only on CD).

Ms. Campbell added: “My dad was unique, very much a free spirit and very funny.”

A eulogy, written by granddaughter Aphra Campbell and read by her cousin Stephanie, was read out in moving tribute to Colin, who lived in Barry Road.

They said: “He was fiercely independent and was rebellious by nature until the very end, even on his 81st birthday, he had a disagreement with a nurse about his hair and what to wear.

“He especially loved eating cake alongside a cuppa tea, and we would bring him lots of it. Grandad was acting until his very, very last breath. But we’re not sure if he ever did break a leg.”

Mark Wilsmore, owner of the Ace Cafe on the North Circular, said: “It was a sad day but turned into a wonderful day. The Leather Boys was filmed at the Ace Cafe and Colin, Rita Tushingham, stars of that era came to our grand re-opening in 2001.

“Since that time Colin came here quite a bit and came to know quite a few of our patrons.

It’s particularly sad as he lived locally, enjoyed the company of those here and he was part and parcel of the heritage of the Ace Cafe, captured so well in the film.

“He was an absolute gentleman, a lovely chap.”

Colin is survived by long-term partner Ingrid, three children, seven grandchildren and three great-grandchildren.


CAMPBELL, Colin
Born: 1/7/1937, Twickenham, Middlesex, England, U.K.
Died: 3/1/2018, Stonebridge, London, England, U.K.

Colin Campbell’s western – actor:
Huckleberry Finn (TV) – 1952 (Huckleberry Finn)

RIP Barbara Stone

$
0
0

Barbara Stone obituary

Film director, producer and founder of a distribution company who scouted for new talent at cinema festivals all over Europe

The Guardian
By David Robinson
April 3, 2018

For six decades Barbara Stone, who has died aged 83, was a quietly dynamic force in promoting progressive cinema in her varying roles as producer, distributor, exhibitor and indefatigable facilitator.

With her husband David Stone, Barbara moved to Britain in the early 1970s after the couple’s film-making activities in Cuba had excited the attention of US intelligence. In 1974 they opened the Gate Cinema in Notting Hill, established a distribution company, Cinegate, and went on to open further London cinemas, in Brunswick Square and Camden Town, along with the smaller Mayfair Cinema.

Barbara’s debut as a director had come when she was invited by the Cuban Film Institute, along with the film-maker Adolfas Mekas and David, to shoot a 140-minute documentary, Compañeras y Compañeros (1970). This involved tours of Cuba, interviewing a cross-section of the population about the changes the revolution had brought to their lives. Many hours of out-takes are preserved in the David Stone Archive at Yale.

US-Cuban relations were at rockbottom, and their Cuban adventure and subsequent visits were not ignored by the American authorities. They prudently decamped to London with their four children.

Barbara’s career in film had begun at the avant-garde film journal Film Culture, which had been established in New York by the Mekas brothers, Jonas and Adolfas. Then in 1961, with David, who shared her passion for film, she visited Gian Carlo Menotti’s budding Spoleto arts festival in Italy. She remonstrated at the event’s neglect of film, and proposed that she should remedy the deficiency. Guided by the Mekas brothers, the Stones met, befriended, encouraged and unified young American avant-garde directors and were ready with a revelatory programme of their films for the 1962 festival.

Despite their influence on the New York avant garde, the Mekas brothers’ own efforts at film-making had been abortive. The Stones took them in hand, producing two films by Jonas, Memories of Frankenstein and The Brig (1964, shot secretly in a US marines jail), both based on stage productions by the Living Theatre, and Adolfas’s Hallelujah the Hills (1963). Later productions included Robert Kramer’s Ice (1970), Milestones (1975) and Scenes from the Class Struggle in Portugal (1977). Jerome Hill’s autobiographical Film Portrait (1973) was selected in 2003 for permanent preservation by the US National Film Registry.

After they had relocated to London, Stone still had dreams of moving into feature production, and in the 80s she developed projects with film-makers including István Szabó, Martin Scorsese and Bernardo Bertolucci. Though none of these came to fruition, she was associate producer on Freddie Francis’s The Doctor and the Devils (1985), based on a script by Dylan Thomas.

Barbara recreated herself as a vivid and popular personality at every major European film festival in her search for new talents and new films. The imaginative and financially viable programming of the Stones’ London cinemas owed much to these excursions and to her impeccable eye.

She was born in Brooklyn, New York, to Morris and Pauline Weintraub. Her father’s ambitions as a lawyer had been cut short by the Depression, and, with Pauline, Barbara and her sister, Cora, he lived over the army surplus shop which he and Pauline ran. The income from the shop was enough for regular weekend outings to double bills on 42nd Street, and for the fan magazines which became the young Barbara’s favourite reading.

She left school early to work as a model in New York’s garment district, a job that paid for night classes in English literature at Brooklyn College, part of the City University of New York. The fan magazines were discarded in favour of Film Culture, the avant-garde journal established by the Mekas brothers. Soon Barbara joined them as circulation manager and contributor. In 1957 she met David, whose varied university studies had given place to a passion for cinema comparable with hers.

In London, the kitchens of the Stones’ successive family houses became the essential Saturday-night rendezvous for international film artists passing through, alongside local critics and guests. One of Barbara’s more phenomenal feats was to produce a meal just short of cordon bleu standard for two dozen diners – who might range from Scorsese to Anouk Aimée and Bertolucci – while never missing a beat of the conversation.

In 1986, with leases expiring, the London cinemas were sold, and in the early 90s the Stones confronted the US again. Barbara was briefly managing director of the San Francisco international film festival, and served on the board of directors of the American Conservatory theatre in the city. David, having liberated himself from 60s-era addictions, took a degree in counselling, and on their return to London, ran his own drug counselling practice until his death in 2011.

Barbara had meanwhile returned to independent film production. In 2007 she produced Joanna Hogg’s debut feature, Unrelated, and in 2014, with her son, Jordan, she co-produced Roman Fever, directed by Derek Coutts from an Edith Wharton short story. At the time of her death she was developing a television series about the Roma with Coutts and her daughter, Alexandra, a producer, also collaborating with her son, Dylan, an artist, on a stage musical.

She was an energetic founding member of the board of the directors of the new Playground theatre in north Kensington, London, and was striving to develop its film activities. She had the rare good fortune to retain her model’s poise, and her active creative involvement, until the end of her life.

She is survived by her children, Alexandra, Jordan, Dylan and Ethan, and three grandchildren.

• Barbara Stone, film producer, distributor and exhibitor, born 13 December 1934; died 17 March 2018


STONE, Barbara (Barbara Weintraub)
Born: 12/13/1934, Brooklyn, New York, U.S.A.
Died: 3/17/2018, London, England, U.K.

Barbara Stone’s western – costume designer:
The Double-Barreled Detective Story - 1965

RIP Susan Anspach

$
0
0

Susan Anspach, 75, Dies; Daring Actress in Maverick Films

The New York Times
By Anita Gates
April 5, 2018

Susan Anspach, the radiant and rebellious actress who personified the 1960s-into-the-’70s counterculture in films like “Five Easy Pieces” and “Blume in Love,” as well as in the stage musical “Hair,” died on Monday at her home in Los Angeles. She was 75.

Her son, Caleb Goddard, who announced the death on Thursday, said the cause was coronary failure.
 
Ms. Anspach (pronounced ONS-bok) had the distinction of playing Sheila, the good-girl-turned-hippie female lead, in the Off Broadway production of the musical “Hair” that immediately preceded the Broadway run.

The show, which shocked some audiences with its antiwar message, celebration of nonmarital sex and all-nude final scene, ran 45 performances at the Cheetah Theater, a club on West 53rd Street. That was in December 1967. When “Hair” opened on Broadway at the Biltmore Theater in April 1968, Lynn Kellogg was Sheila.

Ms. Anspach’s film career, which began soon afterward, hit the ground running. Her first role was in Hal Ashby’s “The Landlord” (1970), about a young white man (Beau Bridges) who buys a building in a black neighborhood in Brooklyn.

Her second movie, the same year, was the now-classic “Five Easy Pieces,” directed by Bob Rafelson, in which she played the sophisticated New Age intellectual who sleeps with Jack Nicholson’s character despite being engaged to his brother.

In “Play It Again, Sam” (1972), there she was in flashbacks as Woody Allen’s blatantly critical ex-wife. (“I don’t feel any rapport with you, and I don’t dig you physically,” she says, cautioning him a minute later, “Don’t take it personal.”)

In “Blume in Love” (1973), she left her stuffy divorce-lawyer husband (George Segal), let her hair go wild and moved in with a shaggy out-of-work musician (Kris Kristofferson) who wrote songs about being free.

Vincent Canby of The New York Times was a fan of Ms. Anspach’s. Writing about “Montenegro,” a low-profile 1981 comedy set in Sweden, in which she played a bored American wife raucously trying to find her true self, he described her as “one of America’s most daring and talented actresses and who has yet to land a film role that shows her off to full advantage.” Some would argue that she never did.

“I was getting reviews that compared me to Katharine Hepburn and Bette Davis,” Ms. Anspach told People magazine in 1978. “But there were no Hepburn or Davis parts.”
 
Because of neglect and physical abuse, Susan left home at 15 and, with a Roman Catholic organization’s help, moved in with a family in Harlem. She received a full scholarship to the Catholic University of America in Washington, where she studied music and drama, and made her professional debut in Thornton Wilder’s one-act play “Pullman Car Hiawatha” at a summer theater in Maryland.
In New York, Ms. Anspach had the good luck to fall in with a company of young actors that included Dustin Hoffman, Robert Duvall and Jon Voight, who were then unknown. She made her New York stage debut in a 1965 Off Broadway revival of Arthur Miller’s “A View From the Bridge” with Mr. Duvall and Mr. Voight; she appeared with Mr. Hoffman the next year in Turgenev’s “The Journey of the Fifth Horse.”

Her two Broadway appearances, in “And Things That Go Bump in the Night” (1965) and “Lovers” (1968), were brief.

Around the same time, she was making her first television appearances; “The Patty Duke Show” and “The Defenders” were among her early credits.

Ms. Anspach continued to work in both movies and television until her late 60s. One of her last films was “Wild About Harry” (2009), a family drama (originally titled “American Primitive”) set in 1973. This time she was part of the older generation, sitting at the head of the dining table in her blond bouffant, surrounded by young people with straight, shoulder-length hair or daring sideburns.
In addition to her son, whose father is Jack Nicholson, she is survived by a daughter, Catherine Goddard, whose father was Steve Curry, an original cast member of “Hair”; three grandchildren; and a brother, Robert Anspach.

Although Ms. Anspach often said that she disdained marriage, she did marry and divorce twice. Her first husband, from 1970 to 1978, was the actor Mark Goddard, who adopted her children. Her second was the musician Sherwood Ball, from 1982 to 1988.

She didn’t even think it was a good idea to live with a man, she remarked in her People interview, because “if the kids get attached to him and you break up, it just isn’t fair.” But she still had something of an ever-changing, big, happy family. “My closest friends in the world are my ex-lovers,” she said.


ANSPACH, Susan (Susan Florence Anspach)
Born: 11/23/1942, New York City, New York, U.S.A.
Died: 4/2/2018, Los Angeles, California, U.S.A.

Susan Anspach’s western – actress:
Blood Red – 1989 (widow)

RIP Isao Takahata

$
0
0

Oscar nominated Japan animation giant Isao Takahata dies at 82

The Japan Times
4/6/2018
Oscar-nominated Japanese anime director Isao Takahata, who co-founded the Studio Ghibli and was best known for his work “Grave of the Fireflies,” has died at age 82, local media reported Friday.

Citing unnamed sources related to him, public broadcaster NHK said he had died at a Tokyo hospital after a recent bout of ill health. The information could not be immediately confirmed.

Takahata’s latest film, “The Tale of the Princess Kaguya,” earned him an Academy nomination in 2014 for best animated feature.

It was also selected for a slot in the Directors’ Fortnight sidebar to the main competition at the 2014 Cannes Film Festival.

However, most consider the 1988 film “Grave of the Fireflies,” a moving tale of two orphans during World War II, to be his best work.

Born in Mie Prefecture, Takahata started his career in animation at the Toei studio in 1959, where he met long-term collaborator and rival Hayao Miyazaki.

With Miyazaki, he co-founded in 1985 the Japanese animation studio Ghibli, which went on to produce several blockbusters.

The pair are often described by media as friends and rivals at the same time.

Over a long and distinguished career, he produced around 20 films, including “Only Yesterday” (1991) and “Pom Poko” (1994).

He also produced the Miyazaki-directed 1984 film “Kaze no Tani no Naushika” (“The Valley of the Wind”), a science fantasy adventure that describes the relationship between nature and human beings.
He is also well-known for animation series “Alps no Shojo Heidi” (“Heidi, Girl of the Alps”) and “Lupin Sansei” (“Lupin the Third”).

Takahata also dabbled in politics, co-signing with around 250 other film celebrities, a petition against a controversial state secrets law in 2013.


TAKAHATA, Isao
Born: 10/29/1935, Mie Prefecture, Japan
Died: 4/15/2018, Tokyo, Japan

Isao Takahata’s western – director:
Isamu the Wilderness Boy – 1973-1974

RIP Jacques Higelin

$
0
0

The singer Jacques Higelin is dead

The French singer, father of the artists Arthur H, Izïa and Kên, died this Friday. A look at the career of this genius singer-songwriter.

Le Point
By Baudouin Eschapasse
4/6/2018

He celebrated his 75th birthday at the Philharmonie de Paris on October 24th and 25th, 2015. At the end of these two exceptional concerts full of emotion, the spectators had felt that, despite the tiredness and the illness which, already, assaulted, Jacques Higelin did not want to leave the scene. His long, almost endless concerts - sometimes more than seven hours at the Cirque d'hiver, in Paris! - were also his trademark. The singer finally bowed out, this Friday, April 6th.

Jacques Higelin, author, composer, performer, actor, writer and poet, was born on 18 October 1940 in Brou-sur-Chantereine (Seine-et-Marne) into a modest family. His father was a railwayman. The little Jacques expresses very early the wish to become a singer. At the age of 14, he does not hesitate to present himself at an audition of the cabaret Les Trois Baudets . Then he did his military service in Algeria, then at war, during which he wrote the Letters of Love of a twenty-year-old soldier, published by Grasset in 1987.

It was at the cinema that Jacques Higelin, a former student of the Simon course, began his career in 1959. He played in Henri Fabiani's Le bonheur est pour demain . In the early 1960s, he toured with directors Yves Robert ( Bébert and l'Omnibus ) and Roger Leenhardt (A girl in the mountains).

But it is the music that paces the life of the young actor. "I heard my grandmother sing in the garden. She had a delicious voice. After work, my father went to the piano and accompanied us. [...] I fell asleep to the sound of my dad's harmonica", he says in I do not live my life, I dream (Fayard). A father to whom he dedicates "Parc Montsouris", a superb piano refrain.
"Left singer"?

At the beginning of 1964, the producer Jacques Canetti, who admires his talents as a guitarist, proposes to him to put in music poems of Boris Vian. The anthology is sung in particular by Serge Reggiani and Catherine Sauvage. The following year, Jacques Higelin meets Brigitte Fontaine. He wrote him many hits: "The Flu", " We're Here for That" , etc. But it is with the album BBH 75, released in December 1974, that Higelin makes a name for himself. The singer adopts a resolutely rock tone thanks to the bassist Simon Boissezon and the drummer Charles Benarroch, whose initials form, with that of Higelin, the name of the album.

In 1976, with Irradié, to which the young Louis Bertignac collaborates, Higelin digs his furrow rock and abandons definitively the jazzy style of his beginnings. A choice that pays off. Jacques Higelin also gives the cover the same year by signing in the summer of 1976 Alert the babies!, a gold record that also won the CD Grand Prix at the Académie Charles-Cros. Moreover, Higelin will collect all his life gold records.

The years 1976-1988 are the most prolific of the artist. They are particularly marked by the publication of Champagne for everyone and Caviar for others in 1979. But, above all, from Fell in Heaven in 1988, certified double gold disc, then platinum disc. Who has not hummed "Fallen from the sky / through the clouds / What happy omen ..."?

Support François Mitterrand, Jacques Higelin occurs several times at the Feast of Humanity. He never disowns the label of "singer left" that sticks to his skin. On the contrary. He proudly assumes his commitments, multiplying speeches, charity concerts and signatures of petitions in favor of the most diverse causes. "Every time you have to defend people, you can count on me," he answers systematically to the people who ask him.

Lovers of life

Real stage beast, never hesitating to embark on improvisations sometimes risky, Higelin is a generous with a temper. It can be seen as it is in the documentary directed by Sandrine Bonnaire in 2014.

Aware that his memories might fade away, Jacques Higelin published, in autumn 2015, a touching autobiography: I do not live my life, I dream (Fayard). In this book-interview, written with Valérie Lehoux, he looks back on his fifty years of career. A career influenced by Charles Trenet, Sidney Bechet, Henri Crolla, George Moustaki, Jacno and Barbara. He talks about his years in the community, his experience of drugs and alcohol ... But also his love of life that he hammered out: "As long as we're alive, it's the least of to be moving, moving. After, we will not move anymore. Death is our condition. It's the only thing you're sure of in life. Me, it makes me happy to be alive. I sang it, death is the cradle of life. It does not scare me. "


HIGELIN, Jacques (Jacques Joseph Victor Higelin)
Born: 10/18/1940, Brou-sur-Chantereine, Seine-et-Marne, France
Died: 4/6/2018, Paris, Île-de-France, France

Jacques Higelin’s western – actor:
Another Man, Another Chance – 1977 (street singer)

RIP Soon-Tek Oh

$
0
0

Pioneering actor Oh Soon-tek is dead at 85

Korea JoongAng Daily
By  Sung Ji-eun
4/7/2018

Actor Oh Soon-tek, one of the first Korean actors to be noticed in Hollywood, passed away due to a chronic disease at the age of 85 in Los Angeles on Wednesday.

Oh was an ambitious college student who, after graduating with a degree in political science at Yonsei University in 1959, flew to Los Angeles to study international relations. However, after arriving in California, he changed his studies to acting and playwriting at the University of California Los Angeles, and then went on to study at the Neighborhood Playhouse School of Theater in New York.

Oh made his acting debut in the Broadway play “Rashomon” in 1964, and got his big break in 1974 as the of role Lieutenant Hip in the film “The Man with the Golden Gun,” which was part of the James Bond movie series. Soon after, the actor appeared in numerous movies including well-known films “Good Guys Wear Black” (1978), “Beverly Hills Ninja” (1997) and the hit Walt Disney animation “Mulan” (1998).

In 2001, Oh came back to Korea to work as a professor at the Korea National University of Arts as well as a jury member for the Bucheon International Fantastic Film Festival.


OH, Soon-Tek (Sun-taek Oh)
Born: 6/29/1933, Mokpo, Korea
Died: 4/4/2018, Los Angeles, California, U.S.A.

Soon-Tek Oh’s westerns – actor:
The Wild Wild West (TV) – 1967 (Chinese houseboy)
Death Valley Days (TV) – 1970 (Matsunosuke Sakurai)
One More Train to Rob – 1971 (Yung)
Kung Fun (TV) – 1973, 174 (Kwan Chen, Chen Yi, Yi Len)
How the West Was Won (TV) – 1979 (Kee)
The New Zorro (TV) – 1992 (Hiroshi)

RIP Chuck McCann

$
0
0

 Chuck McCann, Comic Actor and Popular Kids TV Host, dies at 83

Variety
By Chris Koseluk
4/8/2018

The fun-loving star did lots of voiceover work, was a fine Oliver Hardy impersonator and appeared in 'The Heart Is a Lonely Hunter.'

Chuck McCann, the goofy, good-natured comedian and TV host who was a hero to kids of all ages in and around New York City in the 1960s before he jumped into films, network television and commercials, has died. He was 83.

McCann died Sunday of congestive heart failure at Cedars-Sinai Medical Center in Los Angeles, publicist Edward Lozzi told The Hollywood Reporter.

With his cherubic face and ever-present grin, McCann epitomized fun. If the situation called for a fun supporting character, he was your guy. An entertainment jack-of-all-trades, McCann worked as a kids show host, puppeteer, nightclub comic, movie actor, voiceover performer and celebrity impersonator.

He had a key supporting role in The Heart Is a Lonely Hunter (1968) and starred in the low-budget fantasy film The Projectionist (1971); appeared on scores of TV shows; and did a spot-on imitation of comedy legend Oliver Hardy. (He was a founding member, along with actor Orson Bean, of the Sons of the Desert, the international fan club dedicated to celebrating Laurel & Hardy.)

"I did everything," McCann told TVParty.com in a 2007 interview. "I never closed doors. If you look at my career — if I had one — I never think of it as a career, I just look at it as things I love to do. I have just as much fun doing a 30-second commercial as I do making a movie."

In fact, one of McCann's most memorable roles came in a series of TV spots for Right Guard throughout the 1970s and '80s.

Sharing a medicine cabinet with his neighbor on the other side of the bathroom wall, McCann would bellow a cheerful "Hi Guy!" from behind the glass shelves to the stunned bathrobed person next door. McCann would then go on to extol the benefits of this particular brand of spray-on deodorant.

McCann also created the voice of Sonny the Cuckoo Bird for General Mills' Cocoa Puffs TV commercials. His loony intonation of "I'm cuckoo for Cocoa Puffs" endeared the character to generations of cereal lovers.

McCann credited famed New York kids show host Sandy Becker for giving him a big break in the mid-1950s when they two worked together on a kids show for WABD-TV, Channel 5, then a DuMont network station.

"One day he called me over and said he was going and he wanted me to take over the show," McCann told Steve Fritz in a 2006 article for Animated Shorts. "At first, I couldn't believe he was talking to me. I said, 'When do I start?' He said, 'Well, today's Friday. So you start Monday.'

"I said, 'Well, where are you going?' and he turned around and said, 'South America. You start at 7 in the morning. So long!' The elevator doors close, and off he went. That was my baptism by fire. The first day was just disastrous. It was hell on earth. It was also fun. It was really fun."

Becker also introduced McCann to Paul Ashley. The master puppeteer took McCann under his wing, teaching him everything there was to know about the craft. Starting with Rootie Kazootie in the 1950s, the pair collaborated well into the '60s.

Chuck McCann was born in New York City on Sept. 2, 1934. His grandfather performed in Buffalo Bill's Wild West Show, and his father, Val McCann, was a big band leader who served as the music arranger at New York's Roxy Theatre.

McCann liked to say that he grew up in the orchestra pit in that place. His time at the Roxy exposed him to the top comedians of the day, and he fondly remembered when Lou Costello treated him to ice cream.

Val McCann also had a running gig with CBS Radio, and during one of his appearances there, a director spotted Chuck and offered him a job doing voiceovers. McCann was 7 at the time, and he worked steadily in radio into his teens.

While attending Andrew Jackson High School, McCann would keep his classmates in stitches with his impersonations, and he appeared in nightclubs in and around Manhattan and Long Island. He then helped create Wonderama, a much-loved Sunday morning show that Becker hosted.

In November 1959, McCann started on The Puppet Hotel, a Saturday morning show that emanated from WNTA-TV in Newark, New Jersey. He hosted the program and played the befuddled desk clerk of a hotel populated by puppets created by Ashley.

Later, McCann manned the three-hour show Let's Have Fun on Sunday mornings, pretty much doing everything. One of his bits was to read the comics, dressed as the strip's character, from the day's newspaper. Among his favorites were Dondi, Dick Tracy, Superman and The Lone Ranger. His Little Orphan Annie — complete with big, blank white eyes (which he created by using a pair of coffee creamer containers) — was a classic.

And then, starting in 1963, every afternoon from Monday to Friday, he also headed The Chuck McCann Show. Like Let's Have Fun, it ran on WPIX-TV, Channel 11, so McCann was on that station seven days a week.

His final local TV endeavor was Chuck McCann's Laurel & Hardy TV Show, which debuted in 1966 on WNEW-TV, Channel 5. Featuring Laurel & Hardy animated cartoons created by Hanna-Barbera, the series gave McCann the opportunity to do his Oliver Hardy imitation. (Ashley played Stan Laurel.)

McCann had spent hours on the phone when he was a 12-year-old in Queens trying to locate Laurel, who lived in Santa Monica. Much to the youngster's surprise, Laurel answered the phone one day, and the two talked for hours. It led to a friendship that lasted until Laurel's death in 1965. (Hardy had died in 1957.)

One of McCann's first network television appearances was playing Hardy opposite Dick Van Dyke on a 1958 episode of The Garry Moore Show. The following year, he was Hardy to Tom Poston's Laurel on The Steve Allen Plymouth Show.

In the '80s, he teamed with comedian Jim MacGeorge to re-create the duo in commercial spots for Arby's, Tony's Pizza and Anco Wiper Blades.

For a brief time, McCann also appeared on The Captain Kangaroo Showas Sailor Clyde.

In a more serious role, McCann made his film debut in 1968 in The Heart Is a Lonely Hunter, the adaptation of Carson McCullers' best-selling novel. The drama, starring Alan Arkin, saw McCann tackle the difficult role of Spiros Antonapoulos, a mentally disabled man who is mute.

The only feature starring role of McCann's career came in the quirky The Projectionist, written and directed by Harry Hurwitz, in which he played an introvert who spends his days holed up in the tiny projection booth of a New York movie house.

The Projectionist gave McCann the opportunity to show off his talent for mimicry. Staring at pictures of the Hollywood stars that lined the booth, the projectionist let his imagination run wild, imitating the likes of Humphrey Bogart, Jimmy Stewart, John Wayne, Wallace Beery and yes, Laurel & Hardy. McCann also got to play an imaginary superhero, Captain Flash.N(The Projectionist also marked the movie debut of Rodney Dangerfield, who played McCann's condescending boss.)

McCann's film résumé also included Play It as It Lays (1972), Herbie Rides Again (1974), Linda Lovelace for President (1975), Silent Movie (1976), Foul Play (1978), C.H.O.M.P.S.(1979), Ladybugs (1992), Storyville (1992), Robin Hood: Men in Tights (1993) and Dracula: Dead and Loving It (1995).

McCann was a castmember of Turn On, producer George Schlatter's ill-fated 1969 attempt to go one step further than his sensational hit, Rowan & Martin's Laugh-In. Convoluted and unfunny, Turn On was canceled after one episode.

In 1975, McCann teamed with Bob Denver for the CBS family sitcom Far Out Space Nuts. Along with Earl Doud and Sid & Marty Kroft, McCann created the slapstick series about two bumbling maintenance workers who accidently get launched into space.

McCann also had recurring roles on Santa Barbara, Knots Landingand Boston Legal (as Judge Byron Fudd) and guest-starred on such shows as Bonanza, The Bob Newhart Show, Columbo, Kojak, Little House on the Prairie, Starsky & Hutch, The Rockford Files, One Day at a Time, St. Elsewhere, Diff'rent Strokes, Sabrina the Teenage Witch and Mad About You.

When he wasn't in front of the camera, McCann lent his voice to projects. He was part of the cast of the big-selling album The First Family, Vaughn Meader's 1962 satire of President Kennedy and his entourage, and he did voices for NBC's Cool McCool, a 1966-69 animated spoof of James Bond co-created by Bob Kane of Batman fame.

McCann's animation credits also included Pac-Man, G.I. Joe, The New Adventures of Winnie the Pooh, DuckTales, Attack of the Killer Tomatoes, Where's Waldo?, Animaniacs, Fantastic Four (as the voice of Ben Grimm/The Thing) and The Powerpuff Girls.

Survivors include his wife of 40 years, Betty Fanning, a former William Morris executive. He had three children from a previous marriage.


McCann, Chuck
Born: 9/2/1934, Brooklyn, New York, U.S.A.
Died: 4/8/2018, Los Angeles, California, U.S.A.

Chuck McCann’s westerns – actor:
Bonanza (TV) - 1972
Little House on the Prairie (TV) - 1974

RIP Juraj Herz

$
0
0

RIP Juraj Herz

Filmmaker Juraj Herz had died
His films have become cult movies.

The Slovak Spectator
4/8/2018

Actor and filmmaker Juraj Herz died on April 8, at the age of 83. He became famous after making one of the most important Czechoslovak films, The Cremator, in 1968.

“Slovak and Czechoslovak cinematography have received an irreparable blow,” Slovak actor Andy Hryc wrote on Facebook, when informing of Herz’s death.

Herz was born on September 4, 1934 in Kežmarok. He studied at a secondary school in Bratislava and at university in Prague, where he stayed and worked at the Semafor theatre and at the film studios in Barrandov.

In 1987 he emigrated to Germany.

Herz has made several great films that have become cult movies, like Petrolejové lampy (Oil Lamps, 1971), The Cremator, Ferat Vampire (1981), and Sweet Amusements of Past Summer (1969). His last big movie was Habermann’s Mill (2010).

Herz also published an autobiography entitled Autopsy, the Sme daily reported.


HERZ, Juraj
Born: 9/4/1934, Kežmarok Czechoslovakia
Died: 4/8/2018, Prague, Czech Republic

Juraj, Herz’s western – actor:
Lemonade Joe -1964 (poker player)

RIP Ralph Woolsey

$
0
0

In Memoriam: Ralph A. Woolsey, ASC (1914-2018)

The American Society of Cinematographers
By Rachael Bosley
April 4, 2018

Emmy-winning cinematographer Ralph A. Woolsey, who was the oldest living member of the ASC, died on March 23 at the Motion Picture & Television Country House and Hospital in Woodland Hills, Calif., at the age of 104.

A consummate technician whose Hollywood career paralleled the birth and early evolution of television cinematography, including the transition from black-and-white to color, Woolsey shot such series as Maverick, 77 Sunset Strip, Batman and Mister Roberts.

Born in Oregon on Jan. 1, 1914, to an American father and a German mother, Woolsey was raised in the Pacific Northwest and in Shakopee, Minn. The first movies he saw were silent, and although Saturday westerns were a favorite, the budding piano student was more intrigued by the theater’s Wurlitzer organ than he was by the images on the screen. It was actually a love of bird watching and nature that inspired him to learn photography, which he took up in high school.

After graduating, he moved to Fargo, N.D., and spent several years working for Ford Motor Co. and moonlighting for a local photographer. He returned to Minneapolis and enrolled at the University of Minnesota, intent on becoming a zoologist. He later told American Cinematographer that he was also attracted by the school’s photo lab, which was “staffed by professionals who did every conceivable kind of photography.” Soon Woolsey was making conservation films for the state of Minnesota and industrials for Bell Aircraft; some of the latter were used to train U.S. Air Force during World War II.

Woolsey moved to Los Angeles after the war, landing jobs at Technicolor and at Photo Research Corp., where company founder Karl Freund, ASC, was developing specialized light meters. “Every meter was custom-calibrated based on a particular studio lab’s processing methods,” recalled Woolsey, who shot tests and delivered the meters to cinematographers. He connected with ASC members Leon Shamroy, Joe Walker and Arthur Miller, among others, and it was Miller who eventually proposed Woolsey for ASC membership. By the time Woolsey was invited to join the ASC, on Sept. 10, 1956, he was also an educator; Slavko Vorkapich recruited him to teach cinematography at the University of Southern California in 1950, and Woolsey did this for seven years, shooting small projects on the side.

In 1957, Woolsey got a call to fill in for a cinematographer who had fallen ill just as Warner Bros. was about to begin production on the new TV series Maverick, starring James Garner. With access to studio resources and seasoned crew for the first time, Woolsey jumped right in, and the craft and speed he had honed as a freelancer paid off immediately: a few days into the shoot, Warner Bros. offered him a five-year contract. In 1959, his camerawork in Maverick also brought him his first Emmy nomination.

In an extensive, wide-ranging conversation with The Classic TV History Blog about his career, which included shows at Warner Bros., Fox and Universal, Woolsey discussed the learning curve the new medium presented on studio lots. “[At first] we were using feature sets, which actually made some of the very first shows look fantastic. On the other hand, you paid a price because it took longer to work with those sets — they were more elaborate, took more lighting… And we had crews who had been working on pictures for years, so sometimes they would tend to be a little too fancy or elaborate for a television show. In other words, you had to say, ‘Forget the frosting on the cake, and let’s take care of the meat and potatoes first.’”

Woolsey received his second Emmy nomination in 1960, for 77 Sunset Strip, and he won an Emmy for the pilot It Takes A Thief in 1968. 

He transitioned to shooting features in the 1970s, and as his career flourished, he continued to teach when his schedule permitted. For an American Film Institute seminar in 1977, he discussed one of his more unusual features, a 1973 adaptation of Eugene O’Neill’s The Iceman Cometh directed by John Frankenheimer. (Excerpts from the seminar were published in AC in February and March ’78.)

Confronted with a four-hour dialogue-heavy drama that unfolds in one room over the course of a single night, Frankenheimer and Woolsey understood that wider angles and a variety of unobtrusive camera moves would be vital. “[We knew] we must never lose sight of the geography at any time,” the cinematographer said. “We also wanted to keep the camera setups interesting and keep repositioning the camera according to the way the play progressed.”

Woolsey used devices he dubbed “table scrapers” to slowly slide the Panavision PSR across the bar and tables — even, on a couple of occasions, moving “right up the middle of a banquet table, just missing the candlesticks.” Believing that an “antique look” suited the material, he also force-developed the negative (100 ASA Eastman 5254) to desaturate the color and add grain. “One reviewer said it had the look of shooting through watered whiskey,” he noted with pleasure.

The cinematographer’s other feature credits include The Culpepper Cattle Co., The New Centurions, Mother, Jugs & Speed, The Mack, The Last Married Couple in America, Oh God! Book II and the memorable drama The Great Santini:

Woolsey served as the ASC President from 1983-’84. He was honored with the ASC Presidents Award in 2003 for his unique and enduring contributions to advancing the art of cinematography. (See AC Jan. 2003.)

“Ralph has earned the respect and admiration of peers for his innovative spirit and artistry as a cinematographer,” noted Owen Roizman, ASC, chairman of the ASC Awards Committee at the time. “This tribute also recognizes his dedication to advancing the art of filmmaking. Ralph has mentored hundreds of students at film schools, teaching the skills and aesthetics necessary for success.”
Woolsey celebrating at the ASC Awards in 2013.

“Ralph Woolsey is a talented and unselfish artist who has taught many students and inspired countless colleagues, including myself, with his total dedication to his profession,” said then-ASC President Steven Poster. “He deserves this recognition, and it is our privilege to present it to him.”

In 2014, the ASC helped Woolsey celebrate his 100th birthday with a party at the ASC Clubhouse.

“People ask me my secret for longevity, but the truth is I don’t pay that much attention to that aspect of it,” Woolsey told AC contributor David Heuring. “I can’t move as quickly as I used to; that’s the main difference I’ve noticed. Having a lively interest in anything, particularly something that has been your life’s work, really helps."

Woolsey is survived by his sons James, Richard and Robert.


WOOLSEY, Ralph
Born: 1/1/1914, Oregon, U.S.A.
Died: 3/23/2018, Woodland Hills, California, U.S.A.

Ralph Woolsey’s westerns – cinematographer, director of photography:
Mr. Texas – 1951 [cinematographer]
The Persuader – 1957 [cinematographer]
Maverick (TV) – 1957-1960 [cinematographer]
Sugrfoot (TV) – 1958 [cinematographer]
Bronco (TV) – 1958-1962 [cinematographer]
Cheyenne (TV) – 1958-1962 [cinematographer]
Colt .45 (TV) – 1958-1962 [cinematographer]
Lawman (TV) – 1958-1962 [cinematographer]
Temple Houston (TV) – 1963-1964 [cinematographer]
Black Spurs – 1965 [cinematographer]
Iron Horse (TV) – 1967 [cinematographer]
Dirty Little Billy – 1962 [cinematographer]
The Bounty Man (TV) – 1972 [cinematographer]
The Culpepper Cattle Co. – 1972 [director of photography]

RIP Peggy Keys

$
0
0

RIP PEGGY KEYS (July 21, 1916 – March 27, 2018)

Classic Images
By Laura Wagner
April 9, 2018

Actress of the 1930s and '40s who had leading lady assignments in RAW TIMBER and RIDERS OF THE DAWN (both 1937) and was seen in comedy shorts with El Brendel, Leon Errol, Billy Gilbert and Shemp Howard. No obits but this news comes from family friend Howard Mutti-Mewse.


KEYS, Peggy (Sarah Margaret Keys)
Born: 7/21/2016, U.S.A.
Died: 3/27/2018

Peggy Keys westerns – actress
Raw Timber – 1937 (Dale McFarland)
Riders of the Dawn – 1937 (Jean Porter)

RIP Tim O'Connor

$
0
0

Obituary of Timothy J. O’Connor

The Union
4/11/2018

Timothy J. O'Connor, who had a long and distinguished career as one of the leading character actors of his generation, passed away peacefully in his sleep on Thursday, April 5th, in his longtime home in Nevada City, California, at the age of 90.

O'Connor is survived by his wife Sheila MacLurg O'Connor, his son Timothy O'Connor, and three stepsons.

The actor rose from the streets of the South Side of Chicago to have one of the more remarkable careers in Hollywood. O'Connor's deft ability to play a wide variety of characters put him in great demand, and his resume' included appearances on such iconic television shows as All in the Family, M*A*S*H, Gunsmoke, The Twilight Zone, General Hospital, Dynasty, and Star Trek. O'Connor was one of the busiest actors on Broadway before becoming one of the busiest actors on television and appeared in numerous films.

During the 1950's and early 1960's he costarred onstage, or in videotaped productions for television, with such thespian luminaries as Sir Laurence Olivier, George C. Scott, Edward G. Robinson, Jessica Tandy, Maximilian Schell, Vincent Price, and Boris Karloff.

O'Connor commuted to New York from a small, one-house island he shared with his first wife, Mary Foskett (1957-1974), located in the center of Glen Wild Lake near Bloomingdale, New Jersey.

When Hollywood came calling in 1965, O'Connor moved to Santa Monica, California, and gained national recognition as one of the stars in television's first prime-time soap opera, Peyton Place. He starred as Elliot Carson in more than 400 episodes of the hit series over three years.

He was always in great demand as a character actor. In addition to the hit shows listed above, the well-known television series O'Connor also appeared in include: Columbo, The Rockford Files, Hawaii Five-0, The Fugitive, The Outer Limits, Father Dowling Mysteries, The A-Team, Dukes of Hazzard, Wonder Woman, The Streets of San Francisco, Barnaby Jones, Knight Rider, Trapper John, M.D., Maude, Walker, Texas Ranger and Murder, She Wrote. From 1979 to 1980, O'Connor starred as Dr. Elias Heuer on the classic science fiction series Buck Rogers in the 25th Century. O'Connor also had a recurring role in Doogie Howser, M.D., from 1990-91. O'Connor's film credits include: The Groundstar Conspiracy (1972), Across 110th Street (1972), Sssssss (1973) and Naked Gun

2 1/2: The Smell of Fear (1991.) O'Connor was so adept at playing stern authority figures that he was often cast as ruthless businessmen and police and military officers. But he never felt typecast, saying in a 2010 interview with the website Classic TV History (https://classictvhistory.wordpress. com/2010/02/26/an-interview-with-tim-oconnor/), "Well, I never thought of it like that. I just took whatever came along. I never thought in terms of type. I played so many different kinds of guys."

That tough guy image onscreen, however, was in marked contrast to his loving and affable nature in real life. O'Connor married his second wife, Sheila, in 1979. She lived three doors down the street in Santa Monica Canyon. They moved to Nevada City in 1982 where they shared a happy life in a home in the hills.

The actor continued to work in Hollywood until 1997 but he never really retired. He continued his love affair with the stage by serving as a director

for Nevada City's Foothill Theater Company. He was also co-founder of the town's Children's Theater. In 2017, The Union (https://www.theunion. com/entertainment/readers-theatre-storytellers- on-stage-at-miners-foundry/) called O'Connor "the driving force behind the Reader's Theatre program for more than 25 years." The program held dramatic readings inside the Miners Foundry, built during the gold rush in 1855. O'Connor's last appearance on screen was in the 2011 film Dreams Awake, in which he co-starred with former Buck Rogers co-star Erin Gray.

O'Connor was tremendously loved by friends and family. He is fondly remembered as a loving husband and father, exceptionally gentle and kind, and with a quick wit that was sharp but always civil, befitting his ever-gentlemanly demeanor.

He was widely adored in Nevada City. The Union observed, "Not only does O'Connor love the community, the community loves him back.""Tim is one of the most humble and gracious men I have ever met," said Gretchen Bond, executive director of the Miners Foundry. "Tim is one of my favorite people," said Kat Kress, venue coordinator for Readers Theatre. "He is always in a great mood and never fails to brighten my day."


O’CONNOR, Tim (Timothy J. O’Connor)
Born: 7/3/1927, Chicago, Illinois, U.S.A.
Died: 4/5/2018, Nevada City, California, U.S.A.

Tim O’Connor’s westerns – actor:
Gunsmoke (TV) – 1964, 1970, 1972 (Kip Gillman, Arnie Sprague, Gideon)
Daniel Boone (TV) – 1970 (Secord)
Lancer (TV) – 1970 (Samuel Calhoun)
Walker, Texas Ranger (TV) – 1995 (Russell Stanley)

RIP David Quaschnick

$
0
0

Los Angeles Times
April 12, 2018

David R. Quaschnick, retired Motion Picture Makeup Artist, died peacefully at home surrounded by family on April 9th, 2018, at the age of 71. David will be laid to rest at the Eagle Point National Cemetery, in Oregon on 4/23/18 at 2pm.

David is survived by his children, David R. Quaschnick II, Trualy Matheny, and Shannon Quaschnick. As well as his sister Glenda Mc Cloud, and his many nieces, nephews, grandchildren and great grandchildren.

David served in the Navy upon the USS Hancock during the Vietnam War. David moved to Grants Pass, Oregon in 2009 after retiring from the Motion Picture Industry where he worked as an Emmy winning Makeup Artist.

His presence and contributions to his family will be greatly missed. David always had a chicken joke to share and would take the time to help someone when asked.

QUASCHNICK, David (David Russell Quaschnick)
Born:  10/26/1946, U.S.A.
Died: 4/9/2018, Grants Pass, Oregon, U.S.A.

David Quaschnick’s western – make-up:
Bonanza: Under Attack (TV) - 1995

RIP Ron White

$
0
0

Ron White 1953-2018

Toronto Star
April 14, 2018

On April 4, 2018, Ron White was cast in a courageous and undaunted final fight with cancer. Thousands of messages from adoring friends and relatives inspired this last act of his rich and full life. He was a hugely celebrated Canadian actor who masterfully moved from stage to screen. Born in 1953 in Dawson Creek, BC, Ron was predeceased by father Thomas Earl, mother Grace Mary, brother Brian and twin brother Don. Ron will be dearly missed by his treasured son Jesse White, best friend and best foe Lisa, big brother Earl and many much loved nieces, nephews and in-laws. The family expresses deepest thanks to Dr. Gail Darling and Dr. Jennifer Knox, Toronto General Hospital staff as well as the many friends who loved and supported him. A Celebration of Ron's Life will take place at Crow's Theatre, May 6th at 3 p.m. Location: Streetcar Crowsnest, 345 Carlaw Avenue, Toronto. In lieu of flowers, donations can be made to The Actors Fund of Canada in memory of Ron White.


WHITE, Ron (Ronald White)
Born: 1953, Dawson Creek, British Colombia, Canada
Died:  4/4/2018, Toronto, Ontario, Canada

Ron White’s westerns – actor:
Cowboy’s Don’t Cry – 1988 (Josh Morgan)
Last Train Home – 1989 (Gordon Bradshaw)
Where the Spirit Lives – 1989 (Taggert)
The Campbells (TV) – 1990 (Ian Forbes)
Unforgiven – 1992 (Clyde Ledbetter)
Lonesome Dove: The Series (TV) – 1995 (Elijah Tavish)
Viewing all 2465 articles
Browse latest View live




Latest Images