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RIP Lyudmila Senchina

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Lyudmila Senchina has not coped with a serious illness

Pocbajit
January 25, 2018

Heavy oncological disease became a cause of death of the famous Russian singer Ludmila Senchina. She died in one of clinics of St. Petersburg, where he was for a long time.

Today, about half past nine in the morning in one of the Petersburg hospitals heart stopped Ludmilla senchinoj, which is considered one of the most striking and distinctive singers on the Soviet and Russian stage. She died from a severe and prolonged cancer in 68-m to year of life. In December last year, Lyudmila Senchina celebrated its 67th birthday, but it was not a very joyous occasion, because the woman was already seriously ill. Recent years Senchina was not too often, but in January 2017 TV presenter Andrey Malakhov dedicated to her “Tonight”. The death of the famous singer confirmed her personal Manager and husband Vladimir Andreev.

Lyudmila Senchina was born 13 December 1950, although the registration of the father indicated in the documents on 13 January 1948. She was born in Ukraine, but in 1966, he entered the music school named after Rimsky-Korsakov at the Leningrad Conservatory. In 1970 Cancino invited in Theatre of musical Comedy, Leningrad, all-Union fame came to her after singing the song “Cinderella” for the new year “Blue light”. In the 1970-ies and 80-ies Senchina was one of the most popular singers on Soviet television, competing with Alla Pugacheva and Sofia Rotaru. In addition, Senchina led the program “Artlite”. In 1977, the singer played a major role in the Soviet Western “Armed and dangerous” Vladimir Weinstock.

First husband she became the soloist of the Leningrad operetta Vyacheslav Timoshin, who died in 2006. From him she gave birth to a son, also named Vyacheslav, who now lives in the USA. Second spouse was equally famous musician Stas Namin, and the third is a personal producer and concert Director Vladimir Andreyev. The date of farewell and funeral of Ludmilla senchinoj will be announced later.


SENCHINA, Ludmila (Lyudmila Petrovna Senchina)
Born: 12/13/1950, Kudryavtsy, Nikolaevskaya oblast, Ukrainskaya U.S.S.R.
Died: 1/25/2018, Saint Petersburg, Russia

Ludmila Senchina’s western – actress:
Armed and Dangerous – 1977 (Julie Prudomme)

RIP Dennis Stuart Murphy

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The Hollywood Reporter
By Mike Barnes
2/14/2018

Dennis Stuart Murphy, Producer on 'Buffy the Vampire Slayer' and 'The Bridge,' Dies at 72

6:26 PM PST 2/14/2018 
by Mike Barnes

He earned an Emmy nomination for 'ER' and worked on 'Friday the 13th Part 2' and 'Tales From the Crypt.'

Dennis Stuart Murphy, a veteran producer and unit production manager who did work on such films as Buffy the Vampire Slayer and Powder and on TV series including ER and The Bridge, has died. He was 72.

Murphy died Jan. 24 in Los Angeles of a brain hemorrhage related to acute myeloid leukemia, his wife, Cynthia Fujikawa, said.

In a career that spanned 50 years and more than 100 projects, Murphy received an Emmy nomination for outstanding drama series in 1995 for co-producing the pilot for NBC's ER and earned a Humanitas prize for co-producing the 1991 Lifetime telefilm Wildflower, directed by Diane Keaton and featuring Reese Witherspoon in one of her first onscreen roles.

Murphy also was a co-producer on the two seasons of FX's The Bridge, starring Demian Bichir; was UPM on the pilot for TNT's adaptation of Animal Kingdom; and served as an associate producer on HBO's Tales From the Crypt.

In addition to co-producing Buffy the Vampire Slayer (1992) and Powder (1995), Murphy also worked on such movies as Alan Parker’s Fame (1980), Friday the 13th Part 2 (1981), Re-Animator (1985) and Phantom (2013).

His last producing project, Dear Dictator, a comedy starring Michael Caine and Katie Holmes, will be released in March.

Born and raised in Cincinnati, Murphy graduated from Indian Hill High School, earned his BA in English from Wittenberg University and pursued a master of divinity degree in theology from Union Theological Seminary at Columbia University.

After a year working for American Documentary Films, Murphy walked into the DGA building on West 57th Street in New York and asked for contact information on movies shooting in town. That led to a job as a production assistant on MGM's House of Dark Shadows (1970).

Murphy later was employed on sets as a electrician and a gaffer before he became an assistant director, location manager and production manager. He joined the DGA in 1977 and moved to Los Angeles in 1984.

After a 1994 visit to the Hopi reservation in Arizona, Murphy led a push that helped raise $100,000 in community funds to help build a radio station, KUYI Hopi Radio, for the locals. It went on the air in 2000 and is still going.

 Murphy also was a vice president of Plaza Community Services, which serves Latino communities as the oldest social agency in Los Angeles, and he donated a great deal of his time to the Silverlake Children's Theatre Group.

 Murphy once ran the Los Angeles Marathon after reading about the event just that morning, and in recent years climbed Mount Kilimanjaro and completed a five-day hike to Machu Picchu.

In addition to his wife, survivors include his children Sam, Nell, Chance and Ryan and grandchildren Carter, Ellis and Honor

A public memorial will be held at 4 p.m. on Sunday, March 18, at DGA headquarters on Sunset Boulevard in Los Angeles. Online tributes can be posted here.

In lieu of flowers, donations can be made to Hopi Radio, the Silverlake Children's Theatre Group and/or Plaza Community Services.


MURPHY, Dennis Stuart
Born: 1/26/1945, Cincinnati, Ohio, U.S.A.
Died: 1/24/2018, Los Angeles, California, U.S.A.

Dennis Stuart Murphy’s wesrtern – producer, production manager:
The Magnificent Seven (TV) - 1998

RIP Victor Milán

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Victor Milán (1954-2018)

Locus Magazine
By Craig W. Chrissinger
February 14, 2018

Writer Victor Milán, 63, died February 13, 2018 in Albuquerque NM after years of declining health due to cancer.

His first SF story was “Soldatenmangel” (1981), and his first novels were in the War of Powers series in collaboration with Robert E. Vardeman. His solo debut, The Cybernetic Samurai (1985) won a Prometheus Award, and was followed by Prometheus Award-nominated sequel The Cybernetic Shogun (1990). He collaborated on historical fantasy Runespear (1987) with Melinda M. Snodgrass. As Robert Baron he wrote three volumes in the Stormrider adventure series, beginning with Stormrider (1992). His military SF includes Prometheus Award finalist CLD: Collective Landing Detachment (1995). In recent years his solo work has been in the Dinosaur series: The Dinosaur Lords (2015), The Dinosaur Knights (2016), and The Dinosaur Princess (2017).

Milán wrote numerous tie-in novels, works in shared worlds, and contributed to series under house names, including Star Trek, Battletech, Forgotten Realms, Outlanders, Death Lands, Rogue Angel, and the Wild Cards series. His new Wild Cards story “Evernight” went up on Tor.com the day after his death. In all, he wrote nearly a hundred books.

Victor Woodward Milán was born August 3, 1954 in Tulsa OK. He worked as a cowboy, computer support technician, actor, and disc jockey. He graduated from Albuquerque Academy in 1972, and attended Yale University and the University of New Mexico. He was a beloved figure in fandom, and served as the longtime MC for the Masquerade at Archon in St. Louis MO and the Costume Contest at Bubonicon in Albuquerque.


MILAN, Victor (Victor Woodward Milan)
Born: 8/3/1954, Tulsa, Oklahoma, U.S.A.
Died: 2/13/2018, Albuquerque, New Mexico, U.S.A.

Victor Milán’s westerns – author:
The Rough Riders – 1979
War Party - 1983

RIP Carmela Rey

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Xalapeña singer, Carmela Rey dies


ORP Noticias
February 15, 2018

The singer Carmela Rey, of the duet Carmela and Rafael, died victim of a heart attack while she slept;his remains were incinerated on Wednesday afternoon at a funeral home south of Mexico City.
In the funeral ceremony was not present his life partner Rafael Vázquez, who is delicate health.
 
The singer, member of the famous romantic music duet, died on Tuesday, February 13, around 09:00 hours at home while she was sleeping, informed Notimex, Rubén Zepeda, grandson of the interpreter.
"It was heart attack and she was asleep, so when we found her she was in her bed;and although he suffered from hypertension, this was not the cause of his death, "explained Zepeda, who is also the son of the singer Lluvia Rey.
 
He shared that his grandfather, Don Rafael is very ill and is hospitalized, "when we met my grandmother, he was by his side and had a very strong pain, in fact he was the one who was sick."
"My grandfather is in intensive care right now, but they report it as stable," said the young man, who indicated that Rafael, despite being sensitive, knows what happened to his life partner and profession, with whom he formed the duet since 1960 Carmela and Rafael.
 
He commented that Rafael is impacted by the news, since he shared with Carmela more than 50 years of marriage, in which they achieved a great family.
 
He indicated that his remains were incinerated this afternoon, however the place where they rest still do not know, because the Mexican singer and actress, left indications, which will shortly be revealed.
Carmen Sánchez Levi, her real name, nation in Xalapa, Veracruz, on December 7, 1931.
 
She was one of the last interpreters of Agustín Lara, triumphed as a soloist in radio and television programs, and recorded exclusively for Discos Musart and later for Discos RCA Víctor.In movies, he starred in films such as A sablazo limpio (1958), Viva la parranda (1960), Las hijas del Amapolo (1962) and School for single women (1965).


REY, Carmela (Carmen Sánchez Levi)
Born: 12/7/1931, Yalapa, Veracruz, Mexico
Died:2/13/2018, Mexico City, Federal District, Mexico

RIP Edward Abroms

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Edward Abroms, Steven Spielberg’s First Film Editor, Dies at 82

The Hollywood Reporter
By Carolyn Giardina

He cut an episode of 'Night Gallery' and 'The Sugarland Express,' received an Oscar nom for 'Blue Thunder' and worked on 'Columbo.'

Edward Abroms, the film editor who worked with a young Steven Spielberg on Night Gallery and The Sugarland Express and received an Oscar nomination for cutting John Badham's Blue Thunder, has died. He was 82.

Abroms died Tuesday of heart failure in Los Angeles, daughter Lynn Abroms told The Hollywood Reporter. He was the recipient of the American Cinema Editors' Career Achievement Award in 2006.

As a film editor and director on the long-running NBC hit Columbo, Abroms won the second of his two career Emmy Awards for cutting an episode in 1972. He landed a second nom that year for helming another installment.

Abroms also edited Sam Peckinpah’s final feature as a director, The Osterman Weekend (1983), and one of his last assignments before retirement came on Street Fighter (1994), starring Jean-Claude Van Damme.

Abroms was an editor on the 1969 pilot for Rod Serling's Night Gallerythat featured a segment directed by Spielberg in his TV debut, "Eyes," starring Joan Crawford. Spielberg then employed Abroms on his feature debut, The Sugarland Express (1974).

Between 1971-81, Abroms directed dozens of telefilms before opting to return to the editing room.
Editing "was my first love," he once said. "I found as a television director in most cases you're more or less a traffic cop. You've got a schedule, you have to shoot so many pages a day, and as far as the editing is concerned, you don't have a lot of input."

Born on May 6, 1935, Abroms was raised in Hollywood. He attended the USC School for Cinema but dropped out to take a job in the mailroom at Republic Studios.

After a stint at Technicolor, he was hired as an apprentice editor at Review Productions (now Universal Studios) and later was given a sequence to cut on a 1966 episode of NBC's Tarzan, starring Ron Ely. He then worked on installments of another NBC show, Ironside.

Abroms won his first Emmy for the 1970 NBC telefilm My Sweet Charlie, starring Patty Duke.
That was the first of several collaborations with director Lamont Johnson; they also worked together in 1972 on the films You'll Like My Motherand The Groundstar Conspiracy and on That Certain Summer, the landmark ABC telefilm about homosexuality that starred Hal Holbrook and Martin Sheen.

On Columbo, series creators Richard Levinson and William Link asked Abroms if he would supervise the editing on the show, "and his contribution was invaluable," they wrote in their 1981 book, Stay Tuned. "He inserted amusing optical effects, energized the pacing, and whenever any actors — including [Peter] Falk —got an advanced case of the cutes, Abroms left it on the cutting-room floor.

"In gratitude, we assigned him the last episode of the season to direct, and he was the only director to bring us in on schedule.” He received an Emmy nomination for directing that installment in 1972, then landed another nom the following year.

Abroms also edited and/or directed episodes of other series like The Virginian, Kojak, The Rookies, Cannon, The Six Million Dollar Man, Ellery Queen, HawaiiFive-O and Murder, She Wrote.

Abroms shared his Oscar nom with co-editor Frank Morriss for their work on the crime drama Blue Thunder (1983), and he also was an editor on The Jewel of the Nile (1985), starring Michael Douglas and Kathleen Turner.

His daughter Lynn and son, Ed Abroms Jr., are also film editors. Survivors also include his wife, Colleen; another daughter, Cindy; and grandchildren Brandon, Jordon and James.

Abroms spent three decades as a member of the ACE board, with 17 of those as treasurer.

"Ed was a wonderful man and a great talent," ACE president Stephen Rivkin said in a statement. "His passion for his craft and innovation led to an extremely successful and fulfilling career in both editing and directing.

"Ed's many years of service to the American Cinema Editors will continue to have a lasting impact on our organization. It was an honor to serve alongside of him on the board of directors. He is an inspiration."


ABROMS, Edward
Born: 5/26/1935, Los Angeles, California, U.S.A.
Died: 2/13/2018, Los Angeles, California, U.S.A.

Edward Abroms’ westerns – director, film editor:
The Virginian (TV) – 1970 [editor]
Lock, Stock and Barrel (TV) – 1971 [editor]
Alias Smith and Jones (TV) – 1972 [editor]
The Chisolms – 1980 [director, editor]
Cheery 2000 – 1987 [editor]

RIP Lassie Lou Ahern

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Lassie Lou Ahern, Child Actress in the 'Our Gang' Comedies, Dies at 97

Hollywood Reporter
By Mike Barnes
2/16/2018

She played a boy in the 1927 epic 'Uncle Tom's Cabin,' starred opposite Will Rogers and taught dance to Renee Zellweger.

Lassie Lou Ahern, the versatile child actress who appeared in the Our Gang comedy shorts and played a boy in the Universal Pictures silent epic Uncle Tom's Cabin, has died. She was 97.

Ahern, who was a protégé of the American icon Will Rogers and years later taught dance to the likes of Renee Zellweger, died Thursday in Prescott, Arizona, of complications related to the flu, film preservationist Jeffrey Crouse told The Hollywood Reporter.

Uncle Tom's Cabin (1927), a film adaptation of Harriet Beecher Stowe's 1852 novel, took almost two years to make on location alongside the Mississippi River and had an advertised budget of $2 million, a record at the time.

Ahern's father tried to pass her off as a boy so she could get the part of Little Harry Harris, a child of a slave, by putting her in a suit and having her use his name, Freddie. After Lassie Lou demonstrated that she could cry on cue, producer-director Harry A. Pollard asked her, "You're not a boy, are you?"

"I was scared to death because my father was sitting in the corner of the room," she once recalled. "I looked at my father and saw that he had a slight smile on his face, so I looked at Mr. Pollard and shook my head.  'No,' I said. … Suddenly he got up out of his chair and set me down. He then walked to the door, stuck his head out where there was still a long line of boys and said, 'Thank you all for coming, we have found our Little Harry.'"

The advent of sound derailed her movie career in the late 1920s, but she formed an act with her older sister Peggy — also an Our Gang actress — and The Ahern Sisters danced, tumbled and spun ropes in hotels and nightclubs throughout North America for about a decade.

After the sister act had run its course, Ahern returned to Hollywood and danced in the Donald O'Connor movies Mister Big (1943), Top Man (1943) and Patrick the Great (1945). She also can be spotted in George Cukor's Gaslight (1944).

Ahern was born in Los Angeles on June 25, 1920, and made her film debut 18 months later in Jack London's Call of the Wild. She then appeared in several Our Gang comedy shorts for producer Hal Roach, including Cradle Robbers, The Sun Down Limited and Fast Company, all released in 1924.

Ahern worked alongside Rogers in Going to Congress (1924) and with Helen Holmes, who was famous for playing a quick-thinking, inventive heroine, in a series of shorts. And she and Frankie Darro starred as street kids in 1927's Little Mickey Grogan.

(Crouse was working with the actress in an effort to raise $15,000 to restore that film after a nitrate print was discovered in Paris; hear Ahern speak about it here.)

Ahern appeared on Love, American Style, The Odd Couple and Petrocelli in the 1970s. She also taught dance for more than three decades at her Ashram Spa in Calabasas, Calif., where her students included Zellweger, Faye Dunaway, Toni Tennille and Cindy Crawford.

Survivors include her children Cary, Debra and John.


AHERN, Lassie Lou
Born: 6/25/1920, Los Angeles, California, U.S.A.
Died: 2/15/2018, Prescott, Arizona, U.S.A.

Lassie Lou Ahern’s western – actress:
Call of the Wild – 1923 (baby girl)

RIP Graciela Doring

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Mexican actress Graciela Doring has died

El Siglo de Torreon
February 17, 2018

Mexican actress Graciela Doring has died at the age of 79, as reported by the National Association of Interpreters through her account on the social network Twitter.

Doring, who had an artistic career of more than 50 years, made almost 30 telenovelas; she debuted in 1959 in the telenovela Teresa with Maricruz Olivier, she also participated in Un amor en la sombra and Amar fue su pecad, in 1960. In 1961 she participated in La familia del 6. Her most recent roles in television were Ni contigo y no ti (2011), Amor comprado (2008), Ojo por Ojo (2010),  Una luz en el camino (1998) and
Soñar no cuesta nada, in 2005.

In cinema she acted in films like Pedro Páramo (1967), Las troyanas (1963), Dias de
otoño(1963) and The Wild Bunch (1969). The film director Julián Hernández lamented the news and shared a message on his social networks. "Graciela Doring (1939-2018) has died, whom we remember as Damiana Cisneros in Pedro Páramo by Carlos Velo," he wrote.

In theater she participated in the staging of La herida del tiempo, in 1962. In Teresa is remembered in his role as "Aurora Ferralde", who is left with the love of the ambitious protagonist, Teresa Martinez, played by the also deceased actress, Maricruz Olivier. the causes of his death are still unknown.


DORING, Graciela
Born: 1939, Mexico City, Federal District, Mexico
Died: 2/14/2018, Mexico

Graciela Doring’s western – actress:
The Wild Bunch – 1969 (Emma)

RIP Richard Glover

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Richard Gene Glover
August 30, 1953 - January 26, 2018

Arizona Republic
February 18, 2018

Richard Glover, of Phoenix, Arizona, passed away Friday, January 26th, 2018, at the age of 64.

Richard was born in Denver, Colorado. Richard was an amazing actor and an exceptional son, brother, uncle and friend. He started acting in high school and continued acting for most of his life. He went to University of Arizona in Tuscon and acted at the Gaslight Theatre. Richard was an active and well-loved part of the Phoenix Theatre Community for many years. He also acted for Arkansas Repertory Theatre in Little Rock, AR; New Stage Theatre in Jackson, MI; Florida Studio Theatre in Sarasota, FL; Las Cruces Community Theatre in Las Cruces, NM.

He was in several made for TV movies and did a few television series parts as well. He was also in the movies Arizona Heat (1988) and The Appearance of a Man (2008).

Richard is preceded in death by his father, Carrol Fred Glover, as well as his uncle, Stanley Glover and his grandparents. He is survived by his mother, Beckie Glover, his brothers Dee and Frank, his sister, Jo, nephews Kayle and Travis, nieces Kelsey, Rebecca, great nephews Teagan, Hunter and Trace and his great niece, Saya, as well as an aunt and several cousins.

Services will be held at Veterans National Cemetery, 23029 N. Cave Creek Road on Thursday, February 22nd, 2018 at 1:00 p.m.

Published in The Arizona Republic on Feb. 18, 2018.

GLOVER, Richard (Richard Gene Glover)
Born: 8/30/1953, Denver, Colorado, U.S.A.
Died: 1/26/2018, Phoenix, Arizona, U.S.A.

Richard Glover’s westerns – actor:
Billy the Kid (TV) – 1989 (Beaver Smith)
The Young Riders (TV) – 1990, 1991, 1992 (deputy, Carl Walker, Eastman)
Four Eyes and Six-Guns (TV) – 1992 (Jim Bryer)
Gunsmoke: To the Last Man (TV) – 1992 (David Henry)

RIP Pier Paolo Capponi

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Farewell to Pier Paolo Capponi, actor of cinema and TV , from Fernando Di Leo to Mara Venier

Spettacolo.eu
By Ivan Zingariello
February 16, 2018

Pier Paolo Capponi, the famous actor of cinema and fiction, has died.  He often worked with Fernando Di Leo, but also with Dario Argento and the Taviani. He had a son with Mara Venier.

The actor Pier Paolo Capponi is gone, he had been sick for some time and died yesterday in Torri in Sabina, in the province of Rieti, at the age of 79.  The funeral is tomorrow.  In the mid-'70s he had a son with Mara Venier, Paolo, who last year had made him a grandfather, with the birth of little Claudio.

Born in Subiaco, near Rome, June 9, 1938, in the '70s Capponi was a famous film actor and appeared in television dramas, often acting for the Italian police master Fernando Di Leo: the violent I ragazzi del massacro (1969), in which played the role of the tough commissioner grappling with a group of teenagers who barbarously killed a teacher, gave him a certain notoriety, followed by the role of the killer in Il boss (1973) and that of the right arm of the boss Martin Balsam in Diamanti sporchi di sangue (1978).  With Di Leo he also shot the TV miniseries L’assassino ha le ore contate in 1981.

Pier Paolo Capponi also recited for the Taviani brothers in I sovversivi (1967) and Fiorile (1993), for Valerio Zurlini in Seduto alla sua destra (1968), for Francesco Rosi in Uomini contro (1970) and Alessandro Blasetti in the series fantascienza (1979). He often served as inspector or commissioner, as in Dario Argento's Il gatto a nove code (1971), and he participated in other Gallos of the time, such as Uccidete il vitello grasso e arrostitelo (1970) by Salvatore Samperi, Le foto proibite di una signora per bene (1970) by Luciano Ercoli, Sette orchidee macchiate di rosso (1972) by Umberto Lenzi, and the famous drama RAI Dov'è Anna?  (1976) by Piero Schivazappa.


CAPPONI, Pier Paolo
Born: 6/9/1938, Subiaco, Rome, Lazio, Italy
Died:  2/15/2018, Torri in Sabina, Rieti, Latium, Italy

Pier Paolo Capponi’s western – actor:
My Name is Pecos – 1968 (Joe Kline) [as Norman Clark]

RIP Bill Blunden

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Award winning British film editor Bill Blunden died on January 3, 2018 in Malmesbury, Wilshire, England. He was 83. Blunden is the father of film editor Chris Blunden and grandfather of film editor William Blunden. Blunden won an Emmy Award for his work on ‘All Quiet on the Western Front’ (1979). He was also nominated for an Emmy in 1993 for ‘To Dance with the White Dog’.


BLUNDEN, Bill (Thomas William Blunden)
Born: 1935, Pancas, London, England, U.K
Died:1/13/2018, Malmesbury, Wilshire, England, U.K.

Bill Blunden’s western – film editor:
Shalako - 1968

RIP Weaver Levy

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Actor Weaver Levy died on Thursday February 8, 2018 in Murrieta, California.  Born Waever Kay Levy in Los Angeles, California on Januaryb 14, 1925 was an American of Chinese parents, who is himself bemused by the handle. He was neither English nor Jewish, as his name might implv so in the interest of clarification, he changed it to Weaver. He came all the way to London to make the switch henceforth he will be known either as Weaver Lee or Li Y. Chung He's best remembered by American television viewers for his role of first mate Lasi with Gardner McKay on “Adventures in Paradise." Since leaving the series he has played mainly Oriental roles on such shows as "Hawaiian Eye" and "The Islanders," and first big screen break in “Satan Never Sleeps" for producer-director Leo McCarey and 20th Century-Fox. "This name situation can be confusing.” he once said. “My family name really is Li-y. but pronounced Levy in English. In all it caused all kinds of trouble. "There's one big advantage once you heard his name you never forgot it. A native of Los Angeles. Chung or Lee or Levy spent most of his acting career playing villainous Japanese Armv officers, American Indians Eskimos and even a few Chinese roles. But his part in the TV series had Weaver or Li working more than any other Oriental performer in Hollywood. His big chance eluded him until McCarey signed him up. "This was a rare opportunity for a Chinese actor to break away from the stereotyped role most Orientals play in pictures," Lee-Chung-Levy said. Weaver was unhampered by the Charlie Chan syndrome of wise inscrutability.


LEVY, Weaver (Weaver Kay Levy)
Born: 1/14/1925, Los Angeles, California, U.S.A.
Died: 2/8/2018, Murietta, California, U.S.A.

Weaver Levy’s westerns – actor:
Sky King (TV) – 1956 (Chan)
Death Valley Days (TV) – 1957 (Ah Lum)
Tales of Wells Fargo (TV) – 1958 (Chinese gang member)
Tombstone Territory (TV) – 1958 (hotel clerk)
Sergeant Preston of the Yukon (TV) – 1960 (Ooluk)
Cheyenne (TV) – 1962 (Wang)
Here Come the Brides (TV) – 1969 (Kang)

RIP Billy Graham

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Billy Graham, 99, Dies; Pastor Filled Stadiums and Counseled Presidents

New York Times
By Laurie Goodstein
February 21, 2018

The Rev. Billy Graham, a North Carolina farmer’s son who preached to millions in stadium events he called crusades, becoming a pastor to presidents and the nation’s best-known Christian evangelist for more than 60 years, died on Wednesday at his home. He was 99.

His death was confirmed by Jeremy Blume, a spokesman for the Billy Graham Evangelistic Association.

Mr. Graham had dealt with a number of illnesses in his last years, including prostate cancer, hydrocephalus (a buildup of fluid in the brain) and symptoms of Parkinson’s disease.

Mr. Graham spread his influence across the country and around the world through a combination of religious conviction, commanding stage presence and shrewd use of radio, television and advanced communication technologies.

A central achievement was his encouraging evangelical Protestants to regain the social influence they had once wielded, reversing a retreat from public life that had begun when their efforts to challenge evolution theory were defeated in the Scopes trial in 1925.

But in his later years, Mr. Graham kept his distance from the evangelical political movement he had helped engender, refusing to endorse candidates and avoiding the volatile issues dear to religious conservatives.

“If I get on these other subjects, it divides the audience on an issue that is not the issue I’m promoting,” he said in an interview at his home in North Carolina in 2005 while preparing for his last American crusade, in New York City. “I’m just promoting the Gospel.”

Mr. Graham took the role of evangelist to a new level, lifting it from the sawdust floors of canvas tents in small-town America to the podiums of packed stadiums in the world’s major cities. He wrote some 30 books and was among the first to use new communication technologies for religious purposes. During his “global crusade” from Puerto Rico in 1995, his sermons were translated simultaneously into 48 languages and transmitted to 185 countries by satellite.

Mr. Graham’s standing as a religious leader was unusual: Unlike the pope or the Dalai Lama, he spoke for neither a particular church (though he was a Southern Baptist) nor a particular people.

At times, he seemed to fill the role of national clergyman. He read from Scripture at President Richard M. Nixon’s funeral in California in 1994, offered prayers at a service in the National Cathedral for victims of the Sept. 11, 2001, terrorist attacks and, despite his failing health, traveled to New Orleans in 2006 to preach to survivors of Hurricane Katrina.

His reach was global, and he was welcomed even by repressive leaders like Kim Il-sung of North Korea, who invited him to preach in Pyongyang’s officially sanctioned churches.

In his younger days, Mr. Graham became a role model for aspiring evangelists, prompting countless young men to copy his cadences, his gestures and even the way he combed his wavy blond hair.

He was not without critics. Early in his career, some mainline Protestant leaders and theologians accused him of preaching a simplistic message of personal salvation that ignored the complexities of societal problems like racism and poverty. Later, critics said he had shown political naïveté in maintaining a close public association with Nixon long after Nixon had been implicated in the cover-up of the Watergate break-in.

Mr. Graham’s image was tainted in 2002 with the release of audiotapes that Nixon had secretly recorded in the White House three decades earlier. The two men were heard agreeing that liberal Jews controlled the media and were responsible for pornography.

“A lot of the Jews are great friends of mine,” Mr. Graham said at one point on the tapes. “They swarm around me and are friendly to me because they know that I’m friendly with Israel. But they don’t know how I really feel about what they are doing to this country.”

Mr. Graham issued a written apology and met with Jewish leaders. In the interview in 2005, he said of the conversation with Nixon: “I didn’t remember it, I still don’t remember it, but it was there. I guess I was sort of caught up in the conversation somehow.”

In the last few decades, a new generation of evangelists, including Mr. Graham’s elder son, Franklin Graham, began developing their own followings. In November 1995, on his 77th birthday, Mr. Graham named Franklin to succeed him as head of the Billy Graham Evangelistic Association. His daughter Anne Graham Lotz and his grandsons Will Graham and William Graham Tullian Tchividjian are also in ministry.

Franklin Graham has drawn criticism since the Sept. 11 attacks for denigrating Islam. His father, however, retained the respect of vast numbers of Americans, enough to earn him dozens of appearances on Gallup’s annual list of the world’s 10 most admired men and women.

With a warm, courtly manner that was readily apparent both to stadium crowds and to those who met him face to face, Mr. Graham could be a riveting presence. At 6-foot-2, with a handsomely rugged profile fit for Hollywood westerns, he would hold his Bible aloft and declare that Scripture offered “the answer to every human longing.”

Mr. Graham drew his essential message from the mainstream of evangelical Protestant belief. Repent of your sins, he told his listeners, accept Jesus as your Savior and be born again. In a typical exhortation, he declared: “Are you frustrated, bewildered, dejected, breaking under the strains of life? Then listen for a moment to me: Say yes to the Savior tonight, and in a moment you will know such comfort as you have never known. It comes to you quickly, as swiftly as I snap my fingers, just like that.”

Mr. Graham always closed by asking his listeners to “come forward” and commit to a life of Christian faith. When they did so, his well-oiled organization would match new believers with nearby churches. Many thousands of people say they were first brought to church by a Billy Graham crusade.

At the dedication of the Billy Graham Library in Charlotte, N.C., in June 2007, former President Bill Clinton said of Mr. Graham, “When he prays with you in the Oval Office or upstairs in the White House, you feel like he is praying for you, not the president.”

As a popular evangelist, Mr. Graham was by no means unique in American history. George Whitefield in the mid-18th century, Charles G. Finney and Dwight L. Moody in the 19th century, and Billy Sunday at the turn of the 20th were all capable of drawing vast crowds.

But none of them combined the ambition, the talent for organization and the reach of Mr. Graham, who had the advantages of jet travel and electronic media to convey his message. In 2007, the Billy Graham Evangelistic Association, with 750 employees, estimated that he had preached the Gospel to more than 215 million people in more than 185 countries and territories since beginning his crusades in Grand Rapids, Mich., in October 1947. He reached hundreds of millions more on television, through video and in film.

“This is not mass evangelism,” Mr. Graham liked to say, “but personal evangelism on a mass scale.”

William Franklin Graham Jr. — Billy Frank to his family and friends as a boy — was born near Charlotte on Nov. 7, 1918, the first of four children of William Franklin Graham and Morrow Coffey Graham. He was descended on both sides from pre-Revolution Scottish settlers, and both his grandfathers were Confederate soldiers.

Though the Grahams were Reformed Presbyterians, and though his father insisted on daily readings of the Bible, Billy Frank was an unenthusiastic Christian. He was more interested in reading history, playing baseball and dreaming of becoming a professional ballplayer. His worldliness, his father thought, was mischievous and devilish.

It was the Rev. Mordecai Ham, an itinerant preacher from Kentucky, who was credited with “saving” Billy Graham, in the autumn of 1934, when Billy was 16. After attending Mr. Ham’s revival sessions on a Charlotte street corner several nights in a row, Billy walked up to Mr. Ham to make a “decision for Christ.”

“I can’t say that I felt anything spectacular,” Mr. Graham recalled years later. “I felt very little emotion. I shed no tears. In fact, when I saw others had tears in their eyes, I felt like a hypocrite, and this disturbed me a little. I’m sure I had a tremendous sense of conviction: The Lord did speak to me about certain things in my life. I’m certain of that, but I can’t remember what they were.”

Returning home with a friend that night, Mr. Graham said, he thought: “Now I’ve gotten saved. Now whatever I do can’t unsave me. Even if I killed somebody, I can’t ever be unsaved now.”

After he graduated from high school in 1936, Mr. Graham spent the summer selling Fuller brushes door to door before spending an unhappy semester at Bob Jones College, then an unaccredited, fundamentalist school in Cleveland, Tenn. (It is now Bob Jones University, in Greenville, S.C.) He then went to another unaccredited but less restrictive institution, the Florida Bible Institute (now Trinity College), near Tampa.

It was there, he wrote in his 1997 autobiography, “Just as I Am,” that he felt God calling him to the ministry. The call came, he said, during a late-night walk on a golf course. “I got down on my knees at the edge of one of the greens,” he wrote. “Then I prostrated myself on the dewy turf. ‘O God,’ I sobbed, ‘if you want me to serve you, I will.’ ”

“All the surroundings stayed the same,” he continued. “No sign in the heavens. No voice from above. But in my spirit I knew I had been called to the ministry. And I knew my answer was yes.”

After graduating from the Bible Institute, Mr. Graham went to Wheaton College in Illinois, among the nation’s most respected evangelical colleges. At Wheaton, from which he received a degree in anthropology in 1943, he met Ruth McCue Bell, a fellow student whose father was Dr. L. Nelson Bell, a prominent Presbyterian missionary surgeon who had spent many years in China.

Soon after marrying Mrs. Bell in 1943, Mr. Graham accepted the pulpit of the First Baptist Church in Western Springs, Ill., a Chicago suburb. (It later changed its name to the Village Church.) He imbued his sermons with the brand of interdenominational appeal that was to be his hallmark.

It was also in 1943 that he was invited to take over “Songs in the Night,” a Sunday hour of sermonizing and gospel singing broadcast by a Chicago radio station. The program introduced him to electronic evangelism. Its principal singer, the baritone George Beverly Shea, who died in April, would earn fame as a member of the “Billy Graham team.”

In the mid-1940s, Mr. Graham became the chief preacher for the Youth for Christ rallies organized by the Rev. Torrey M. Johnson, a radio evangelist, and George W. Wilson, the owner of a religious bookstore in Minneapolis and a lay leader of the First Baptist Church there. With them, he established the Graham Youth for Christ, which found moderate success holding “crusades” across North America and in Britain.

Mr. Graham’s fortunes took a career-building turn in 1949, thanks in no small measure to the power of the Hearst press. He was holding a three-week “mammoth tent crusade” in downtown Los Angeles inside a 6,000-seat “canvas cathedral” pitched on a vacant lot. The newspaper ads proclaimed him “America’s sensational young evangelist.” But what really caught the attention of the aged newspaper baron William Randolph Hearst was that Mr. Graham was preaching a fiery brand of anti-Communism.

From his retreat in San Simeon, Calif., Mr. Hearst is said to have issued a terse directive: “Puff Graham.”

“The Hearst newspapers gave me enormous publicity, and the others soon followed,” Mr. Graham said years later. “Suddenly, what a clergyman was saying was in the headlines everywhere, and so was the box score of commitments to Christ each night.” Time, Newsweek and Life magazines followed suit.

Mr. Graham began taking his “Crusade for Christ” on the road. In 1957, he drew more than two million people to a series of rallies, extended to 16 weeks, at Madison Square Garden in New York. The crusades became international: One, in West Germany, was televised live in 10 other European countries. In 1966, he preached to nearly one million people in London.

As Mr. Graham’s popularity grew, so did his stature with Christian critics who had dismissed his interpretation of Scripture as overly literal. (He told his audiences, for example, that heaven was a physical place, though not necessarily in this solar system.)

Early on, he abandoned the practice, common among Southern fundamentalists, of speaking only before racially segregated audiences. He refused to “preach Jim Crow,” as he put it, and in the turbulent 1960s made several “visits of racial conciliation” to the South.

Mr. Graham pledged to local church sponsors that all donations would be used for crusade expenses, with any excess going to his Billy Graham Evangelistic Association. His own compensation, he said, would be limited to his expenses plus “the salary of a fairly well-paid local minister,” or about $50,000 in 1980 (the equivalent of about $142,000 today). The association’s books were always open to inspection.

By maintaining fiscal integrity and personal probity — he stuck to his rule never to be alone with a woman other than his wife — Mr. Graham kept himself untarnished by the kind of sex and money scandals that brought down evangelists and religious broadcasters like Jim Bakker and Jimmy Swaggart in the 1980s.

The Grahams lived on a 200-acre mountain retreat in Montreat, N.C. His wife, Ruth Bell Graham, died in 2007. He is survived by his sons, the Rev. William Franklin III and the Rev. Nelson Graham, known as Ned; three daughters, Virginia Tchividjian (known as Gigi), Anne Graham Lotz and Ruth Graham McIntyre; and numerous grandchildren and great-grandchildren.

Recognizing his influence, presidents made a point of seeking friendly relations with Mr. Graham; Lyndon B. Johnson did so assiduously. Mr. Graham was a frequent guest of Ronald Reagan, and in January 1991, George H. W. Bush invited him to spend the night at the White House the day before American-led forces began bombing Iraq. Mr. Clinton asked Mr. Graham to offer prayers at his inauguration in 1993.

President George W. Bush said that it had been after a walk with Mr. Graham at the Bush family’s compound in Kennebunkport, Me., that Mr. Bush, as a younger man, decided to become more serious about his faith and quit drinking. President Obama visited Mr. Graham at his North Carolina home in 2010.

Of the presidents, Mr. Graham was most closely associated with Nixon. The two had met in the late 1940s, when Nixon was a senator from California. As vice president, Nixon addressed a capacity crowd at Yankee Stadium for the closing meeting of Mr. Graham’s New York crusade in 1957.

In the 1960 presidential campaign, Mr. Graham, a registered Democrat, was strongly sympathetic to Nixon, a Republican, and offered him campaign advice. He went on to endorse Nixon in the 1968 presidential race and allowed that endorsement to be used in television commercials. He gave the invocation at Nixon’s 1969 inauguration and came to be described as Nixon’s unofficial White House chaplain.

Mr. Graham said he had been “innocently unaware” of the storm gathering over Watergate. But when the extent of the scandal became known — disclosures of the break-in and the subsequent cover-up orchestrated by the White House — Mr. Graham tended to look the other way, his critics said.

In 1982, Mr. Graham displeased the Reagan administration when, after a visit to the Soviet Union, he spoke in favor of universal nuclear disarmament. He also visited Russian churches, and his comment that he had seen no evidence of religious repression by the Soviet authorities created a furor among conservative church members in the United States.

It was during this period, in his sixth decade as an evangelist, that Mr. Graham and his organization experimented with new technologies. In 1986, in Paris, he used direct satellite transmissions to carry his sermons to about 30 other French cities. With his crusade in San Juan, P.R., in 1995, he expanded his satellite reach more than sixfold.

Mr. Graham also broke ground by going to places where religious activity was officially restricted, including China and North Korea. The first of his 30 books was “Peace With God,” published in 1953; his last was “Nearing Home,” in 2011.

The Billy Graham Evangelistic Association, with more than 1,000 employees around the world, continues to organize crusades. It also produces Mr. Graham’s “Hour of Decision” global radio program and prime-time television specials, trains thousands of evangelists and missionaries, and publishes Decision magazine. A rapid-response team deploys chaplains to disaster areas.

Why it all came about remained a puzzle to Mr. Graham. In his autobiography, he wrote: “I have often said that the first thing I am going to do when I get to Heaven is ask: ‘Why me, Lord? Why did You choose a farmboy from North Carolina to preach to so many people, to have such a wonderful team of associates, and to have a part in what You were doing in the latter half of the 20th century?’ ”

“I have thought about that question a great deal,” he added, “but I know also that only God knows the answer.”




GRAHAM, Billy (William Franklin Graham Jr.)
Born: 11/7/2018, Charlotte, North Carolina, U.S.A.
Died: 2/21/2018, Montreat, North Carolina, U.S.A.

Billy Graham’s westerns – actor:
Mr. Texas – 1951 [himself]
The Ride – 1997 (voice on the radio)

RIP Nanette Fabray

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Nanette Fabray, Star of TV and Stage Comedies, Dies at 97.

New York Times
By Anita Gates
February 23, 2018

Nanette Fabray, whose enthusiastic charm, wide smile and diverse talents made her a Tony Award-winning performer in the 1940s and an Emmy Award-winning comic actress in the 1950s, died on Thursday at her home in Palos Verdes, Calif. She was 97.

Her son, Dr. Jamie MacDougall, confirmed her death.

Ms. Fabray was 28 when she received the Tony for best actress in a musical for her performance in “Love Life,” a collection of sketches with lyrics by Alan Jay Lerner and music by Kurt Weill. It was her seventh Broadway show and followed her success in Jule Styne and Sammy Cahn’s “High Button Shoes” the season before. Brooks Atkinson, writing about that musical in The New York Times, had called her “a neatly designed show-shop ingénue with considerable crackle.”

In 1956 she won two Emmy Awards, as best comedienne (as the category was then known) and best actress in a supporting role, for her work on “Caesar’s Hour,” the follow-up to “Your Show of Shows,” in which Sid Caesar had starred with Imogene Coca.

The next year, Ms. Fabray won another Emmy for the series, 10 months after she had been dismissed by the producers. Years later she said she had been fired because her agent made demands for her third-season contract that the producers considered Ms. Fabray nearly gave her life for the show. In 1955, she was hospitalized for almost two weeks after being knocked unconscious by a falling pipe backstage during a broadcast. 

The stage and the small screen turned out to be Ms. Fabray’s métiers, but she started out in film. Her first movie role was as a lady-in-waiting to Elizabeth I (Bette Davis) in “The Private Lives of Elizabeth and Essex” (1939). In that and the two other film dramas she made that year, she was billed as Nanette Fabares. She changed the spelling of her surname after too many public mispronunciations.

Ms. Fabray had one notable film success: the Comden and Green musical “The Band Wagon” (1953), directed by Vincente Minnelli. The film included the number “Triplets,” in which she, Fred Astaire and Jack Buchanan played infants, with adult-size heads and torsos but short, stubby baby legs.
Ruby Nanette Bernadette Theresa Fabares was born on Oct. 27, 1920, in San Diego. Her family soon moved to Los Angeles, where Nanette began working in vaudeville at age 4. Her father, Raul, was a train engineer; her mother, the former Lily McGovern, took in boarders. Ms. Fabray recalled that her other childhood job was ironing lodgers’ shirts.

She attended Los Angeles Junior College and studied acting with the Austrian-born director Max Reinhardt, but she had academic difficulties because of an undiagnosed hearing problem. The problem was eventually corrected by surgery, and she became a spokeswoman and advocate for the hearing-impaired.

Ms. Fabray was 21 when she appeared in her first Broadway show, “Let’s Face It,” (1941), a musical comedy, starring Danny Kaye and Eve Arden, about three married women who hire soldiers as escorts. She left the show in 1943 to take a small replacement role in Rodgers and Hart’s “By Jupiter.”

After appearing in two short-lived shows, “My Dear Public” and “Jackpot,” Ms. Fabray replaced Celeste Holm in 1945 as the star of Harold Arlen and Yip Harburg’s “Bloomer Girl,” a musical comedy set in the 1860s. Two years later she married one of the show’s publicists, David Tebet. They divorced in 1951, and in 1957 she married Ranald MacDougall, a screenwriter.

Mr. MacDougall died in 1973. Besides her son, Ms. Fabray is survived by two grandchildren.
Although she continued to work on Broadway after her Tony win, Ms. Fabray began concentrating on television. Her first credited appearance was on “The Chevrolet Tele-Theater” in 1949, but she had already been involved in demonstrations of the new medium.

After the Caesar show, Ms. Fabray attempted a sitcom of her own, but “The Nanette Fabray Show” (1961), also known as “Westinghouse Playhouse,” lasted less than a season. She went on to four decades of television movies and guest appearances on series, including “Love, American Style,” “The Mary Tyler Moore Show” (as Ms. Moore’s mother), “One Day at a Time” (as Bonnie Franklin’s mother) and the 1990s sitcom “Coach,” on which she played the mother of her real-life niece Shelley Fabares.

Back on the New York stage in 1963, she received a Tony nomination for her role as a fictional first lady in “Mr. President,” Irving Berlin’s last Broadway show. Her final Broadway appearance went less well: “No Hard Feelings,” a 1973 comedy that also starred Eddie Albert, closed after opening night.

Ms. Fabray continued to do stage work (in 2007 she appeared in “The Damsel Dialogues” in Sherman Oaks, Calif.), but said more than once that live television was her first love. As she told a reporter for The New York Times in 1955, “It involves a form of insanity that reminds me of make-believe games that you played as a child.”

When asked about her career, she declared that comic ability was unteachable but acknowledged one factor in her success. During her third Broadway show, she told the Archive of American Television in 2004, things changed because “I fell in love with the audience, and I fell in love with performing.”


FABRAY, Nanette (Ruby Nanette Bernadette Theresa Fabares)
Born: 10/27/1920, San Diego, California, U.S.A.
Died: 2/22/2018, Palos Verdes, California, U.S.A.

Nanette Fabray’s westerns – actress:
Laramie (TV) – 1959 (Essie Bright(
Cockeyed Cowboys of Calico County – 1970 (Sadie)

RIP Christian Rode

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Voice dubbing legend Christian Rode has died

TV Wunschliste
By Bernd Krannich
2/20/2018

Christian Rode is dead. The actor, dubbing and radio play spokesman was 81 years, as the Westphalian Newsciting his spokesman and the agency voice reports.Accordingly, the artist died on the weekend in Berlin in the presence of his wife.
 
For decades, Rode understood as a voice actor and audiobook productions, with its deep timbre to captivate audiences and listeners.The career of the native hamburger began on stage and in front of the camera.In the mid-1950s, Rode completed his theatrical debut, a decade later he had worked his way up to film and television, where he also worked in international productions thanks to his language skills.In 1960 he was a cast of the famous "Faust" staging, in which Rode's mentor Gustaf Gründgens played the Mephisto.Other films with Rode are "Winnetou and his friend Old Firehand"and the filming of "It does not always have to be caviar".

From the mid-1960s found Rode reinforced in the film synchronization employment - almost ten years earlier, he had failed in his first speaker test with flying flags and had then turned the profession over a longer term back. Among the performers to whom Rode frequently lent the German voice were Michael Caine, David Carradine ("Torches in the Storm"), Craig T. Nelson (about in “Parenthood”), Robert Culp, Christopher Plummer, Barry Bostwick (about in "Chaos City") and Dennis Farina (about in "Law & Order").He was also the successor as spokesman for Bert from the "Sesame Street"After his original spokesman Wolfgang Kieling died in 1985.Rode portrayed more than 600 roles in the dubbing studio.
 
From the 1970s, Rode increasingly opened up the production of radio plays as another foothold.According to the Talker Lounge, he has appeared on more than 100 productions on the label Europa alone (including "Masters of the Universe"), in a recent reissue of the works of Arthur Conan Doyle of Verlagsgruppe-Hermann he spoke to Sherlock Holmes.One of the last roles of Rode was according to the sync file in the fourth episode of the upcoming ProSieben series "The Orville",
From 2007, Christian Rode had engaged in the speaker school of his colleague Carmen Molinar , which was renamed in 2014 in his honor Christian Rode Sprechschule .Rode.I had on one of the latter Dreamland CDs still the congratulations to his eighth birthday last year heard.One of the voices that I've heard and liked from a young age has been silenced forever.


RODE, Christian
Born: 7/20/1936, Hamburg, Hamburg, Germany
Died: 2/15/2018, Berlin, Berlin, Germany

Christian Rode’s westerns – voice dubber, actor:

Fernand Cowboy – 1956 [German voice of Jess Hahn]
The Hills Run Red – 1966 [German voice of Thomas Hunter]
Return of the Seven – 1966 [German voice of Fernando Rey]
Thunder at the Border – 1966 [also voice of Boris Dvornik]
Don’t Wait Dango… Shoot – 1967 [German voice of Ivan Scratuglia]
Kitosch, the Man Who Came from the North – 1967 [German voice of Piero Lulli]
Ringo, the Face of Revenge – 1967 [German voice of Anthony Steffen]
Wind in den Zweigen des Sassafras (TV) – 1968 (Carlos)
Guns for San Sebastian – 1969 [German voice of Jorge Russek]
Companeros! – 1970 [German voice of unknown actors]
Have a Good Funeral – 1970 [German voice of Franco Resel]
Sartana Kills Them All – 1970 [German voice of Raf Baldassare]
A Coffin Full of Dollars – 1971 [German voice of Jeff Cameron]
Johnny Yuma – 1972 [German voice of Anthony La Penne]
Vengeance Trail – 1971 [German voice of Ivan Rassimov]
Deadly Trackers – 1972 [German voice of Emilo Vale]
The Sting of the West – 1972 [German voice Riccardo Garrone]
The Crazy Bunch – 1974 [German voice of Riccardo Garrone]
The White, the Yellow, the Black – 1975 [German voice of Jacques Berthier]
The New Zorro (TV) – 1990 [German voice of Adam West, Jim Carter]


RIP Ilse Petri

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Ilse Petri, theater, film, TV actress died in Munich, Germany on February 3, 2018. She was 99.

Petri was born on March 20, 2018 in Göttingen, Lower Saxony, Germany as the daughter of the Prussian Colonel Hans Petri and his wife Lucie, born Tempeltey. Ilse attended the Lyceum in Potsdam where he received two years of private acting lessons from Ilka Grüning and then completed a four-year vocal training.

Petri received the mediation of Camilla Horn even before the beginning of her stage career her first film role at the age of 17 in Das Mädchen vom Moorhof (1935). Also in The Rape of the Sabine Women, the well-known first film adaptation of the play of the same name from 1934 by Robert A. Stemmle with Bernhard Wildenhain, Max Gülstorff, Maria Koppenhöfer, Hilde Sessak and Trude Hesterberg, she was only 18. She played a major role in the 1936 comedy Donner, Blitz und Sonnenschein with Karl Valentin and Liesl Karlstadt.

Petri had also been seen on Berlin stages since the 1930s, in such plays as the Volksbühne, the Theater am Schiffbauerdamm, and the Kabarett der Komiker. After the Second World War, she continued to act in the theater and was mainly known with the play Fanfaren der Liebe (1951) with Dieter Borsche, Georg Thomalla and Inge Egger. Also the continuation of Fanfaren der Ehe  became a success in the movie theaters. She appeared a few time on television, including in series productions such as Der Alte and Die fünfte Kolonne, as well as roles in various Pauker- and Lausbubenfilmen presentatons.

She was married to the late star photographer Joe Niczky wo died in 1986, the son of the artist Rolf Niczky and she lived in Munich-Bogenhausen.


PETRI, Ilse
Born: 3/20/1918, Göttingen, Lower Saxony, Germany
Died: 3/3/2018, Munich, Bavaria, Germany

Ilse Petri’s western – actress:
Women for Golden Hill – 1938 (Margaret)


RIP Rogelio Guerra

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Rogelio Guerra dies, legendary Mexican telenovela beau

El Espectador
February 28, 2018

The actor, whose real name was Hildegardo, was known for several productions of theater, film and television, although the telenovela "Los ricos también lloran" (1979), exported to several countries and dubbed into several languages ​​such as Polish, Russian and Japanese, It was one of his most famous.

Mexican soap opera actor Rogelio Guerra, famous for dramas such as "Los ricos también lloran", died Wednesday in Mexico City at age 81, the National Association of Performers reported.

 "We send your family and friends a solidary hug with our deepest condolences," the organization said in a brief statement broadcast on social networks.

 Guerra, whose real name was Hildegardo, was known for several productions of theater, film and television, although the telenovela "The rich also cry" (1979), exported to several countries and dubbed into several languages ​​such as Polish, Russian and Japanese, was one of the most famous.

 Rubio and with an elegant demeanor, Guerra was for a long time one of the best-known gallants of Mexican soap operas.

 He was born in 1936 in the city of Aguascalientes, and began his career in the sixties with cowboy films in which he played the role of the heartthrob.

 "Thanks to his physique he was very besieged by the fans, who constantly gathered outside of where he had locations, just to be able to see him," he says on his site Televisa, the largest producer of Spanish-language audiovisual content, where Guerra played a large part of his career.

 In addition, he lent his voice to other movie characters in films such as "The Lord of the Rings."

 In his last years he suffered brain damage that prevented him from talking and walking, so he was in the care of his family.


GUERRA, Rogelio (Hildegardo Francisco Guerra Martinez)
Born: 10/8/1936, Aguascalientes, Aguascalientes, Mexico
Died: 2/28/2018, Mexico City, Federal District, Mexico

Rogelio Guerra’s westerns – actor:
El solitario - 1964 (Rubén)
Las hijas del Zorro – 1964
El secreto del texano – 1966
Outside the Law – 1966
Tierra de violencia - 1966 (Tony)
Vuelve el Texano - 1966
Rancho solo – 1967
Chico Ramos – 1971
Eye for an Eye – 1971 (Joe Carson)
La Martina – 1972 (El Plateado)
Duelo al atardecer - 1973
Guns and Guts – 1974 (escaped prisoner)
Los doce malditos - 1974

RIP Bruce Margolis

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MSN Entertainment
By Greg Evans
3/1/2018

Bruce Margolis, a longtime 20th Century Fox Television production executive and television producer, died on February 16 after a battle with cancer. He was 64, and passed away at Citrus Valley Hospice in West Covina, California.

His death was confirmed by 20th Century Fox Television.
Margolis most recently served as a Co-Executive Producer on Fox’s drama Star, a position he held from the show’s inception, after serving as a production executive on the series’ pilot.

Prior to Star, Margolis served as Senior Vice President of Production for the studio for nearly 18 years before taking a voluntary buyout offer in 2016, becoming an independent producer and soon returning to the studio with an overall deal.

During his long tenure at 20th Century Fox TV, he oversaw all elements of many series’ physical production, from hiring the department heads and crew members to supervising principal photography and post production. He worked closely with showrunners, producers and cast members from script to final delivery of every episode.

A statement from the studio noted that “Bruce had a big, boisterous personality and a love of the business and the people in it, and he enjoyed nothing more than the challenge of figuring out how to do the impossible, and then doing it, on time and on budget.”

Among the many series he oversaw were Bones, 24, Prison Break, Terra Nova, and the political drama Tyrant.
An avid photographer, Margolis often took portraits of cast and crew members, as well as candid shots during breaks, landscape photography on location, and images for all 12 months of a 20th Century Fox TV calendar in which executives’ dogs were posed in humorous tableaus representing shows from Homeland to Modern Family.

Margolis began his career as an official photographer for the Los Angeles Dodgers, and also worked as a location manager for a variety of television westerns including The Young Riders and Gunsmoke.

He is survived by his wife, Jodie, his children Matt, Megan and David, and his son-in-law Aaron. A memorial service is planned on the 20th Century Fox lot in April to celebrate his life. Donations in his honor can be made to his favorite dog rescue organization, Ace of Hearts, at http://www.aceofheartsdogs.com.


MARGOLIS, Bruce
Born: 1952, U.S.A.
Died: 2/16/2018, West Coast, California, U.S.A.

Bruce Margolis’ westerns – associate producer, location manager:
The Young Riders (TV) – 1989-1992 [location manager]
Gunsmoke: One Man’s Justice (TV) – 1994 [associate producer]

RIP David Ogden Spiers

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David Ogden Stiers, ‘M*A*S*H*’ star and Newport resident, dies at 75.

The Oregonian
By Eder Campuzano
3/3/2018
 
David Ogden Stiers, the actor best known for playing Major Charles Emerson Winchester III in "M*A*S*H*" and Cogsworth in Disney's "Beauty and the Beast" has died. He was 75.

Stiers died peacefully at his home in Newport. He had been battling bladder cancer, his agent, Mitchell Stubbs, told The Oregonian/OregonLive.

Stiers was born in Peoria, Illinois the son of Margaret and Kenneth Stiers. He moved to Eugene while he was in high school, where he graduated from North Eugene High. He attended the University of Oregon for a time but soon left for San Francisco to pursue acting.

His first television credits include "The Mary Tyler Moore Show,""Charlie's Angels" and "Kojak." His voice can be heard off-screen in George Lucas' first feature film, "THX-1138."

But it wasn't until 1977 that Stiers joined the cast of CBS' military sitcom, "M*A*S*H*," after the departure of Larry Linville — who played Frank Burns — and starred opposite Alan Alda and Mike Farrell. Stiers was nominated for two Emmy awards for his turn as Winchester, in 1981 and 1982.

He would earn another Emmy nod in 1984 for his role as William Milligan Sloane, founder of the U.S. Olympic Committee, in the NBC miniseries "The First Olympics: Athens in 1896.”

Stiers also lent his voice to eight Disney animated features, most notably as Cogsworth in 1991's "Beauty and the Beast" and including "Pocahontas,""The Hunchback of Notre Dame" and "Lilo & Stitch."

Stiers was also a gifted musician. He was the resident conductor of the Newport Symphony and had guest conducted for more than 70 orchestras across the world.

He continued working both in front of the camera and behind the microphone until 2015, with credits in video games, cartoons and television shows. (He appeared in a 2011 episode of "Leverage.")

Still, his most notable roles aside from his turn on "M*A*S*H*" might well be tied to his work on Disney's animated features. Facebook and other social media searches for his characters consistently contain references to Jumba Jookiba from "Lilo & Stitch:"

"Family means no one gets left behind or forgotten."


STIERS, David Ogden
Born: 10/31/1942, Peoria, Illinois, U.S.A.
Died: 3/3/2018, Newport, Oregon, U.S.A.

David Ogden Stiers’ westerns – actor:
The Alamo: Thirteen Days to Glory (TV) – 1987 (Colonel Black)
Pochanontas – 1995 [voice of Governor Ratcliffe, Wiggins]
Dr. Quinn, Medicine Woman (TV) – 1997 (Theodore Quinn)

RIP Tom Reese

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The Twilight Zone Museum
By Andrew Rammage
March 7, 2018
 
Actor Tom Reese, bandit, bully, cutthroat, gunslinger, goon, hired killer, hood, hooligan, ruffian, etc. has died in Burbank, California. He was 89. Born Thomas E. Allen in Chattanooga, Tennessee on August 8, 1928, he appeared in over 100 films, and TV episodes between 1959 and 2009. his father and uncle were country-western singers, "The Chattanooga Boys," who traveled around performing their bluegrass music with the family, including Tom, in tow. Around 1940 the Allens relocated to New York, where Tom's dad supported the family working as a steelworker in the daytime and a singing waiter at night. Tom later held the expected assortment of odd jobs (Automat busboy, usher, etc.) in New York, and (starting at 17) served two tours of duty in the Marine Corps. He later studied dramatics at the American Theater Wing under the G.I. Bill and spent 15 years on the road working nightclubs (emceeing, doing stand-up, etc.). He studied with Lee Strasberg, did some work off-Broadway and in local TV shows and made his film bow in John Cassavetes' New York-made Shadows (1959). Cassavetes also had Reese fly out to Hollywood to play a part in an episode of his detective series Johnny Staccato (1959), Reese's Hollywood debut. He was ready to return to New York after doing the show but an agent signed him "and I've been here [California] ever since." His first major film was Flaming Star (1960), an Elvis Presley western and the start of Reese's long career in big- and small-screen oaters,including Gunsmoke (1955) Bonanza (1959), The Virginian (1962), Rawhide (1959), Brande (1965).

REESE, Tom (Thomas E. Allen)
Born: 8/8/1928, Chattanooga, Tennessee, U.S.A.
Died: 3/?/2018, Burbank, California, U.S.A.

Tom Reese’s westerns – actor:  
Flaming Star – 1960 (Jute)
Bonanza (TV) – 1960, 1964, 1966 (Burton Drummond, Lee Burton, Sgt. Devlin)
Gunsmoke (TV) – 1960, 1961, 1962, 1964, 1965, 1966, 1967, 1968 (Tulsa, Joe Leeds, Ben Wellman, Judd Nellis, Wayne Hooker, Wade Keys, Oakie, Dave Westerfield, Ben Stearman, Slick Regan
Death Valley Days (TV) – 1960 (Blaster)
Have Gun – Will Travel (TV) – 1960 (Yates)
Law of the Plainsman (TV) – 1960 (Cal)
The Man from Blackhawk (TV) – 1960 (Carl Mayhew)
U.S. Marshal (TV) 1960
Lawman (TV) – 1961 (Bob Mengis)
Outlaws (TV) – 1961 (Barney)
The Virginian (TV) – 1962, 1965 (Wid, Hans Wollsack)
Blood on the Arrow – 1964 (Charlie)
Destry (TV) – 1964 (Joe)
The Great American Adventure (TV) – 1964 (Mike Williams)
Rawhide (TV) – 1964, 1965 (Bert Carrico, Jennings)
Taggart (TV) – 1964 (Vince August)
Laredo (TV) – 1965, 1966 (Tom Baker, Jake McBryde)
The Wild Wild West (TV) – 1965 (The Driver)
Branded (TV) – 1966 (Jess Muhler)
Iron Horse (TV) – 1966 (Gage)
Cimarron Strip (TV) – 1967 (Pete Spurber)
The Guns of Will Sonnett (TV) – 1967 (Lando)
Hondo (TV) – 1967 Chad Wilson
Stranger on the Run (TV) – 1967 (Leo Weed)
The High Chaparral (TV) – 1968 (Jordan)
Support Your Local Sheriff – 1969 (gunfighter)
Kung Fu (TV) – 1974 (sheriff)
The Quest (TV) – 1976 (sheriff)
Father Murphy (TV) 1982 (Packard)
Guns of Paradise (TV) – 1989, 1991 (prospector, farmer)

RIP Arcelia Larrañaga

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Cronica
March 9, 2018

Mexican actor Manuel, "El Loco", Valdés will not attend the funeral of his wife, actress Arcelia Larrañaga, who died at the age of 77 on Thursday morning, victim of a respiratory arrest.
 
The reason why the comedian also will not be present at the wake is that tomorrow Friday he will be treated with immunotherapy at the National Institute of Cancer (INCan) and must rest prior, Notimex informed his grandson Iván Valdés.
 
"He is not able to go to the funeral, he wants to be calm.He does not feel suitable for the questions that the press will ask him, because although he said he was ready when his wife died, the pain is a lot.
 
"He prefers to stay at home to receive treatment," Ivan explained, and mentioned that "El Loco" Valdés knew that the death of Arcelia Larrañaga was near because she had just been hospitalized and specialists no longer gave her much time after her condition I was very advanced.
 
He clarified in this regard that it was not Alzheimer's, as it has transpired in the media, but senile dementia, which was diagnosed for several years."The medical part said it was a respiratory arrest.
"She began by forgetting things until she could not remember anything and her brain simply forgot to give the order to breathe, and she died at 5:00 in the morning while at home," she said.
 
Iván Valdés knows that it is a strong blow for his grandfather, but he considers that from now on he will be dedicated to one hundred percent in his recovery, since at times his wife's illness exceeded him.
 
"My grandfather has improved a lot, the cancer went into the remission stage and they are applying immunotherapies because the chemotherapies, due to their age, could not have endured them.Those of this Friday will be almost the last ones that give him ".
 
He commented that Manuel "El Loco" Valdés has regained weight and thanks to the fact that every time he feels better he enlists his return to the theater through the play "Airplanes", next to Ignacio López Tarso.
 
"Shortly will begin trials.The tentative date of his return is March 21.I know they will give functions in Ciudad Juárez, Monterrey and Querétaro, "he said.
 
Arcelia Larrañaga participated in the television and film productions "Dos fools and a madman" (1961), "Los jóvenes" (1961), "La sonrisa de los pobres" (1964), "The loves of Marieta" (1964) and " Los Fabulosos 20s "(1964), among others.
 

LARRANAGA, Arcelia
Born: 1942, Mexico
Died: 3/8/2018, Mexico City, Federal District, Mexico

Arcelia Larrañaga’s westerns – actress:
Jalisco Gals are Beautiful – 1961
Juan guerrero – 1963 (Auscencia)
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